A hugely entertaining study that goes beyond biography to vividly portray Victorian life in a wider framework.

"A haunting voyage through the peculiar--and peculiarly American--world of human skull collecting. Ann Fabian's remarkable and moving study illuminates as few other works have the powerful hold that the dead and their remains continue to have upon the living". Karl Jacoby, author of Shadows at Dawn: A Borderlands Massacre and the Violence of History.

"The Spiritual Lives series features biographies of prominent men and women whose eminence is not primarily based on a specifically religious contribution. Each volume provides a general account of the figure's life and thought, while giving special attention to his or her religious contexts, convictions, doubts, objections, ideas, and actions. Many leading politicians, writers, musicians, philosophers, and scientists have engaged deeply with religion in significant and resonant ways that have often been overlooked or underexplored. Some of the volumes will even focus on men and women who were lifelong unbelievers, attending to how they navigated and resisted religious questions, assumptions, and settings. The books in this series will therefore recast important figures in fresh and thought-provoking ways"--

The dome of thought is the first study of phrenology based primarily on the popular – rather than medical – appreciation of this important and controversial pseudoscience. With detailed reference to the reports printed in popular newspapers from the early years of the nineteenth century to the fin de siècle, the book provides an unequalled insight into the Victorian public’s understanding of the techniques, assumptions and implications of defining a person’s character by way of the bumps on their skull. Highly relevant to the study of the many authors – Wilkie Collins, Charles Dickens, and George Eliot, among them – whose fiction was informed by the imagery of phrenology, The dome of thought will prove an essential resource for anybody with an interest in the popular and literary culture of the nineteenth century, including literary scholars, medical historians and the general reader.

What is “character”? Since at least Aristotle’s time, philosophers, theologians, moralists, artists, and scientists have pondered the enigma of human character. In its oldest usage, “character” derives from a word for engraving or stamping, yet over time, it has come to mean a moral idea, a type, a literary persona, and a physical or physiological manifestation observable in works of art and scientific experiments. It is an essential term in drama and the focus of self-help books. In Character: The History of a Cultural Obsession, Marjorie Garber points out that character seems more relevant than ever today, omnipresent in discussions of politics, ethics, gender, morality, and the psyche. References to character flaws, character issues, and character assassination and allegations of “bad” and “good” character are inescapable in the media and in contemporary political debates. What connection does “character” in this moral or ethical sense have with the concept of a character in a novel or a play? Do our notions about fictional characters catalyze our ideas about moral character? Can character be “formed” or taught in schools, in scouting, in the home? From Plutarch to John Stuart Mill, from Shakespeare to Darwin, from Theophrastus to Freud, from nineteenth-century phrenology to twenty-first-century brain scans, the search for the sources and components of human character still preoccupies us. Today, with the meaning and the value of this term in question, no issue is more important, and no topic more vital, surprising, and fascinating. With her distinctive verve, humor, and vast erudition, Marjorie Garber explores the stakes of these conflations, confusions, and heritages, from ancient Greece to the present day.

PROSE Awards Subject Category Finalist—Biological Anthropology, Ancient History, and Archaeology, 2021 Best Nineteenth-Century Book Award, Latin American Studies Association Nineteenth-Century Section, 2021​ Analyzing a wide variety of late-nineteenth-century sources, Sex, Skulls, and Citizens argues that Argentine scientific projects of the era were not just racial encounters, but were also conditioned by sexual relationships in all their messy, physical reality. The writers studied here (an eclectic group of scientists, anthropologists, and novelists, including Estanislao Zeballos, Lucio and Eduarda Mansilla, Ramón Lista, and Florence Dixie) reflect on Indigenous sexual practices, analyze the advisability and effects of interracial sex, and use the language of desire to narrate encounters with Indigenous peoples as they try to scientifically pinpoint Argentina's racial identity and future potential. Kerr's reach extends into history of science, literary studies, and history of anthropology, illuminating a scholarly time and place in which the lines betwixt were much blurrier, if they existed at all.

A “wide-ranging and thoughtful” (Wall Street Journal) exploration of the varied obsessions that the “civilized West” has had with decapitated heads and skulls. The human head is exceptional. It accommodates four of our five senses, encases the brain, and boasts the most expressive set of muscles in the body. It is our most distinctive attribute and connects our inner selves to the outer world. Yet there is a dark side to the head’s preeminence, one that has, in the course of human history, manifested itself in everything from decapitation to headhunting. So explains anthropologist Frances Larson in this fascinating history of decapitated human heads. From the Western collectors whose demand for shrunken heads spurred massacres to Second World War soldiers who sent the remains of the Japanese home to their girlfriends, from Madame Tussaud modeling the guillotined head of Robespierre to Damien Hirst photographing decapitated heads in city morgues, from grave-robbing phrenologists to skull-obsessed scientists, Larson explores our macabre fixation with severed heads.