Daisy Bacon, the opinionated, autocratic and complex editor of Love Story Magazine from 1928 to 1947, chose the stories that would be read by hundreds of thousands of readers each week. The first weekly periodical devoted to romance fiction and the biggest-selling pulp fiction magazine in the early days of the Great Depression, Love Story sparked a wave of imitators that dominated newsstands for more than twenty years. Disparaged as a "love pulp," the magazine actually championed the "modern girl," bringing its heroines out of the shadows of Victorian poverty and into the 20th century. With Love Story's success, Bacon became a national spokesperson, declaring that the modern woman could have it all--in love, in marriage and in the business world. Yet Bacon herself struggled to achieve that ideal, especially in her own romantic life, built around a long-term affair with a married man. Drawing on exclusive access to her personal papers, this first-ever biography tells the story behind the woman who influenced millions of others to pursue independence in their careers and in their relationships.

A compilation of the work of illustrator Margaret Brundage, including all her magazine covers for Weird tales and her work as the first Conan cover artist, as well as a collection of essays about Brundage's life and work.

Daisy Bacon, the opinionated, autocratic and complex editor of Love Story Magazine from 1928 to 1947, chose the stories that would be read by hundreds of thousands of readers each week. The first weekly periodical devoted to romance fiction and the biggest-selling pulp fiction magazine in the early days of the Great Depression, Love Story sparked a wave of imitators that dominated newsstands for more than twenty years. Disparaged as a "love pulp," the magazine actually championed the "modern girl," bringing its heroines out of the shadows of Victorian poverty and into the 20th century. With Love Story's success, Bacon became a national spokesperson, declaring that the modern woman could have it all--in love, in marriage and in the business world. Yet Bacon herself struggled to achieve that ideal, especially in her own romantic life, built around a long-term affair with a married man. Drawing on exclusive access to her personal papers, this first-ever biography tells the story behind the woman who influenced millions of others to pursue independence in their careers and in their relationships.

First Digital Edition; Grier Rating: A*** This is the true-life story of what happens when scores of young girls live intimately together in a French military barracks. Many of these girls, utterly innocent and inexperienced, meet other women who have lived every type of existence. Their problems, their temptations, their fights and failures are those faced by all women who are forced to live together during dangerous and stressful times. The girls who chose Tereska Torres, the author, as their confidante poured out to her their most intimate feelings, their secret thoughts. With all of its revelations and tenderness, Women’s Barracks is an important book because it tells a story that had never been truly told before--the story of women in war. It also has the special distinction of being the first “lesbian pulp” novel ever published and became a record-breaking bestseller. This autobiographical novel takes place in London, England during World War II. The terror of the V-1 and V-2 rocket bombings, and the resulting fires and destruction, are an unknown experience to most readers. The women enduring these events were not even 20 years old when they first arrived. Many volunteered to be there. They were French, or of French heritage, and wanted to be part of the effort to help protect France from invasion by the Nazis. Throughout it all, passions flare, long-standing taboos are tossed to the wind, and passionate relationships are begun between older, more experienced butch officers and the young, inexperienced femme girls under their charge. In her telling of these women’s stories, Torres remains nonjudgmental of the lesbian relationships these women explored. Perhaps as a result, Women’s Barracks was banned in several states for being obscene. The House Select Committee on Current Pornographic Materials denounced the book in 1952 as an illustration of how the newly emerging paperback industry was breeding and promoting moral depravity. By today’s standards, of course, the book is somewhat tame; however, the eroticism and honesty with which Torres writes immerses the reader in the love, tenderness, loyalty and passion that women share with each other.

A master of driving pace, exotic setting, and complex plotting, Harold Lamb was one of Robert E. Howard's favorite writers. Here at last is every pulse-pounding, action-packed story of Lamb's greatest hero, Khlit the Cossack, the "wolf of the steppes.

A FICTION HOUSE PRESS REPRINT: An outlaw of space, she was, with the strength of ten men. Here is an interplanetary story that will fill you with enthusiasm. She whipped the man she loved ... then rescued him from death. This is the Golden Amazon in all of her original pulp adventures with the original illustrations.

The first half of the twentieth century was a golden age of American storytelling. Mailboxes burgeoned with pulp magazines, conveying an endless variety of fiction. Comic strips, with their ongoing dramatic storylines, were a staple of the papers, eagerly followed by millions of readers. Families gathered around the radio, anxious to hear the exploits of their favorite heroes and villains. Before the emergence of television as a dominant--and stifling--cultural force, storytelling blossomed in America as audiences and artists alike embraced new mediums of expression. This examination of storytelling in America during the first half of the twentieth century covers comics, radio, and pulp magazines. Each was bolstered by new or improved technologies and used unique attributes to tell dramatic stories. Sections of the book cover each medium. One appendix gives a timeline for developments relative to the subject, and another highlights particular episodes and story arcs that typify radio drama. Illustrations and a bibliography are included.