Muse told the world how she felt about me. Instead of feeling joy, I felt terror. This isn't what I want. This isn't how our relationship is supposed to be. I end things because I have no other choice. But I struggle to cope with my misery, to sleep in an empty bed without her beside me.

"Muse told the world how she felt about me. Instead of feeling joy, I felt terror. This isn't what I want. This isn't how our relationship is supposed to be. I end things because I have no other choice. But I struggle to cope with my misery, to sleep in an empty bed without her beside me."--Page 4 of cover.

The unlikely story of a group of former punk musicians, drug addicts, and Hollywood dropouts who put their lives back together by forming a baseball team. "You never know what's going to save you." After years of dingy nightclubs and drug addiction, John Albert and his hard-luck friends certainly never expected their salvation to arrive in the form of a pastime most often associated with Mom, God, and apple pie. Wrecking Crew —a highly unusual chronicle of recovery and redemption—documents the transformation of a group of musicians, struggling screenwriters, and wannabe actors into a competitive band of hardballers. For over a decade, it seemed to be enough: the narcotics, gambling, whores, and aimless rebellion. But as they stumbled into their thirties, the blithe pursuit of self-destruction had simply become exhausting to these battle-scarred denizens of the L.A. counterculture. The romantic squalor of being perpetually broken-down, periodically drug-addled, and irresponsible began to lose its charm. The idea of fielding a baseball team to compete in a hard-knocks amateur league seemed merely the latest in a string of half-hearted stabs at restoring order to their ragged lives. But this escapade was different. When these men donned their team uniforms, the old obsessions started to fade and something incredible began to happen. This is the unforgettable story of the Griffith Park Pirates.

Set in modern day Turkey this is the true story of a woman who, after taking stock of her life, asked the proverbial question, "Is that all there is?" She had a devoted husband, a comfortable lifestyle in an upscale suburb of a Midwestern town, a bevy of close friends and a stellar career as an educator. She and her husband spent their holidays jetting around the world to exotic locations. She was respected and loved in her community. Yet, none of this was enough. In the midst of a crowded room, she felt alone. She was haunted by the fear that she was never good enough. She needed the constant rush of adrenaline that comes from living on the edge. After feeling that she had exhausted all of the possibilities that her Midwestern setting provided for this, she decided to accept a teaching position in southeastern Turkey and signed a two year contract. Little did she know that this decision would end up altering the course of her life forever . It describes in exquisite detail many of the startling differences she encountered as she attempted to assimilate into the Turkish culture It's a humorous, compelling, and heart-wrenching true story about one woman's struggle to finally find happiness and fulfillment.

John argues that shifting the focus from the text to the efficacy of performance requires broadening our concept of performance beyond what occurs on stage and its critical reception to include the daily life of the society that provides its context. It follows from this semiotic approach that there can be no fixed text or understanding of Egmont or of Goethe himself - only multiple images. John's exploration of image includes literary motifs, acting, staging, and social role playing, with particular reference to Goethe's development as an artist and cultural icon. In addition to presenting a comprehensive analysis of the play and a discussion of Egmont's reception from its first appearance to the present (including productions on both stage and screen), John provides an in-depth performance analysis based on the theories of Alter, Burns, Carson, Fischer-Lichte, Goffman, Pavis, and Schechner. The book includes the complete Mannheim manuscript (M372), critically edited and published as a performance text for the first time.

Currents of Power: A Modern Political Novel is a behind-the-scenes glimpse at a year-long political campaign for a statewide office in a major industrial state. We are introduced to eight very different - and very human - candidates who leap into the statewide arena. We share their various paths to power, their motivations, schemes and passions. The reader is given a front-row seat to the drama of a of a modern campaign: the grand strategies, brutal revelations and nuts-and-bolts techniques of state-of-the-art politics. The book is a poignant love story and droll commentary of 21st Century life. Lyrical and expressionistic, Currents of Power: A Modern Political Novel describes the kaleidoscope of unique characters and perfect moments that swirl through a statewide race. The author likens ever shifting political forces to the complex currents flowing in rivers. After reading Currents of Power: A Modern Political Novel, the reader will never view politics - or rivers - in the same light.