Little is known in regard to authentic London furniture and looking glasses because of scarcities that are striking in comparison with the productions of other large cities in Europe and the British Isles. Of continental cities only Paris was larger during the Georgian era, while Dublin ranked next in size. It has long been the view of F.Lewis Hinckley that a thorough knowledge of Dublin furniture designs is a must in order to understand the source of a great many of the highly sophisticated metropolitan pieces currently found in British and American museums that carry London attributions. Clearly the volume outstrips what known London cabinetmakers could have turned out, while the English hinterland has yet to yield the names of artisans who could have worked at such high levels of design and execution. For collectors of Americana, a knowledge of Dublin designs is highly desirable both for recognizing their influence on the development of American furniture, and for evaluating any Dublin pieces that reach the market mislabeled as American productions.

A catalog of a furniture auction by the Anderson Galleries and American Art Association, featuring pieces from the Queen Anne, Early Georgian, and Chippendale periods. Includes detailed descriptions and photographs of each item. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.