In Social Myths and Collective Imaginaries, G?rard Bouchard conceptualizes myths as vessels of sacred values that transcend the division between primitive and modern. These vessels become so influential as to make an indelible impression on people's minds.

This first book-length study of French-language science fiction from Canada provides an introduction to the subgenre known as "SFQ" (science fiction from Quebec). In addition, it offers in-depth analyses of SFQ sagas by Jacques Brossard, Esther Rochon, and Elisabeth Vonarburg. It demonstrates how these multivolume narratives of colonization and postcolonial societies exploit themes typical of postcolonial literatures, including the denunciation of oppressive colonial systems, the utopian hope for a better future, and the celebration of tolerant pluralistic societies. A bibliography of SFQ available in English translation is included.

The sixteen articles in The Rhetoric of Canadian Writing are a welcome contribution to the growing interest in Canadian culture, indicating its variety - Aboriginal, Anglo-Canadian and French-Canadian culture and their interrelationships are all represented. In classical oratory the term “rhetoric” signifies the art of influencing the thought and conduct of readers and listeners, and this concept is used as an underlying current of debate in this volume. Contributors address the theme of identity and post-colonial disputation in their explorations of eighteenth- and nineteenth-century writing by Elizabeth Simcoe, Catharine Parr Traill and Lucy Montgomery as well as contemporary works by Margaret Atwood, Nancy Huston, Wayne Johnston, Susan Swan, Jacques Poulin and Rudy Wiebe. Quebecoise writer Louis Dupré contributes a compelling reflection on women's writing in Quebec.

Le pluralisme culturel de la littérature produite aujourd'hui au Canada et au Québec transforme non seulement ces deux espaces littéraires, mais aussi, la relation entre eux. En réunissant, par l'entremise d'un recueil bilingue, méthodologies, appareils théoriques et concepts habituellement réservés à l'un ou l'autre des contextes critiques, les textes de Migrance comparée (issus d'un appel à contributions général) fait état de ce qui distingue les littératures contemporaines d'expression anglaise et française mais aussi de ce qui les rattache l'une à l'autre. The cultural plurality of literature produced today in Canada and Quebec transforms not only these two literary spaces, but also, their relation to one another. By bringing together methodologies, theoretical approaches and concepts usually reserved to one or the other critical context, this bilingual collection of texts of Comparing Migration (the result of a general call for papers) displays the differences but also the connections between French and English contemporary writing in Canada.

This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.