"Antoine Gerin-Lajoie's Jean Rivard (1862-4) is recognized as a landmark novel in Quebec literature. It has come to be regarded as a typical mid-nineteenth-century example of the conservative and the reactionary nationalism and patriotism into which French Canadians withdrew after the crushing of the Patriotes in 1837 and 1838. In this brilliant and iconoclastic study, which is an adaptation and translation into English of his 'Jean Rivard' ou l'Art de reussir: Ideologies et utopie dans l'oeuvre d'Antoine Gerin-Lajoie, published in 1991, Robert Major challenges this view of the novel and of the political and intellectual milieu in which it was produced. He suggests that Quebec culture in the nineteenth century was far richer and more diverse than the prevailing view allows." "While Jean Rivard is a novel about settlement, the need to develop the virgin territories of Canada, Major contends that it is also a success story based on the American model of Horatio Alger - a novel which advocates economic liberalism and urbanization as well as rugged individualism. Through his analysis of Jean Rivard Major re-examines the attitudes to the United States common in the period and points to the ways in which the United States functioned in Quebec political imagery as an icon of democracy."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

In this sweeping, enthralling biography, an acclaimed historian brings to life the remarkable story of Samuel de Champlain--soldier, spy, artist, and Father of New France.

A runaway bestseller in Quebec, with foreign rights sold to 15 countries around the world, Kim Thúy's Governor General's Literary Award-winning Ru is a lullaby for Vietnam and a love letter to a new homeland. Ru. In Vietnamese it means lullaby; in French it is a small stream, but also signifies a flow - of tears, blood, money. Kim Thúy's Ru is literature at its most crystalline: the flow of a life on the tides of unrest and on to more peaceful waters. In vignettes of exquisite clarity, sharp observation and sly wit, we are carried along on an unforgettable journey from a palatial residence in Saigon to a crowded and muddy Malaysian refugee camp, and onward to a new life in Quebec. There, the young girl feels the embrace of a new community, and revels in the chance to be part of the American Dream. As an adult, the waters become rough again: now a mother of two sons, she must learn to shape her love around the younger boy's autism. Moving seamlessly from past to present, from history to memory and back again, Ru is a book that celebrates life in all its wonder: its moments of beauty and sensuality, brutality and sorrow, comfort and comedy.

Inès Murat’s readable and entertaining narrative introduces us to little-known facts about the adventures and misadventures of numerous French veterans of Waterloo who migrated to the United States. More often than not, their visions of life in this country conflicted with the original New World dream of the peaceful pioneer. For two centuries, the lure of what we now call the American Dream had beckoned rich and poor from the Old World. “In all respects,” said Napoleon, “America was our true refuge.” Reported by Las Cases in the Mémorial de Sainte-Hélène, this statement signifies only one phase of the connections between the Emperor and the United States. Anecdotes and incisive portraits of numerous Bonapartists who came to America vividly portray the complex intermeshing between the Emperor and the United States. Anecdotes and incisive portraits of numerous Bonapartists who came to America vividly portray the complex intermeshing between the ideals of the French Revolution and the new forms of freedom that had been born in America. These dramatic accounts bring to the foreground of history the impact of two world views—that of the Old World, sheltered in the shadow of Napoleon’s belief in historical destiny, and that of the New World, more experimental and industrious. The clash produced a resounding din in the Napoleonic epoch, for which Napoleon and the American Dream traces new routes and relationships between two cultures.

Why are some countries without an apparent abundance of natural resources, such as Japan, economic success stories, while other languish in the doldrums of slow growth. In this comprehensive look at North American economic history, Marc Egnal argues that culture and institutions play an integral role in determining economic outcome. He focuses his examination on the eight colonies of the North, five colonies of the South (which together made up the original thirteen states), and French Canada. Using census data, diaries, travelers' accounts, and current scholarship, Egnal systematically explores how institutions (such as slavery in the South and the seigneurial system in French Canada) and cultural arenas (such as religion, literacy, entrepreneurial spirit, and intellectual activity) influenced development. He seeks to answer why three societies with similar standards of living in 1750 became so dissimilar in development. By the mid-nineteenth century, the northern states had surged ahead in growth, and this gap continued to widen into the twentieth century. Egnal argues that culture and institutions allowed this growth in the North, not resources or government policies. Both the South and French Canada stressed hierarchy and social order more than the drive for wealth. Rarely have such parallels been drawn between these two societies. Complete numerous helpful appendices, figures, tables, and maps, Divergent Paths is a rich source of unique perspectives on economic development with strong implications for emerging societies.