The year is 1932, and America is roiling with unrest. Angry WWI veterans, embittered by the ruinous poverty inflicted by the Great Depression, join forces and, calling themselves the Bonus Army, march on Washington to demand payment of the wartime bonus promised them for their service during the war. Arthur and Douglas Sinclair, an impoverished veteran and his son, make the arduous journey from Kansas to join the march. Alden and Sutton Kelly, the rebellious children of a powerful Washington judge, become involved with the veterans’ struggle, causing an irreparable rift in the Kelly family. When the Bonus march explodes in a violent clash between government and veteran forces, Arthur is falsely accused of conspiracy and disappears. The lives of Douglas, Alden, and Sutton are forever changed—linked inextricably by the absence of Arthur Sinclair. As these three lives unfold in the wake of the Bonus riots, we are taken to unexpected places—from the underground world of a Soviet spy to Hemingway’s Florida and the hard labour camps of Roosevelt’s New Deal Projects in the Keys; from occultist circles in London to occupied Paris and the eventual fall of Berlin; and finally, to the German prison camp where French composer Olivier Messiaen originally wrote and performed his famous Quartet for the End of Time. Taking us on an unforgettable journey through individual experience and memory against the backdrop of seismic historical events, Quartet for the End of Time is both a profound meditation on human nature and an astonishing literary accomplishment from one of Canada’s most original voices.

The clarinetist Rebecca Rischin has written a captivating book.... Her research dispels several long-cherished myths about the 1941 premiere.... Rischin lovingly brings to life the other musicians-- tienne Pasquier, cellist; Henri Akoka, clarinetist; and Jean Le Boulaire, violinist--who played with Messiaen, the pianist at the premiere."--Alex Ross, The New Yorker "This book offers a wealth of new information about the circumstances under which the Quartet was created. Based on original interviews with the performers, witnesses to the premiere, and documents from the prison camp, this first comprehensive history of the Quartet's composition and premiere held my interest from beginning to end.... For the End of Time touches on many things: faith, friendship, creativity, grace in a time of despair, and the uncommon human alliances that wartime engenders."--Arnold Steinhardt, Chamber Music"The clarification of the order of composition of the movements is just one of the minor but cumulatively significant ways in which Rischin modifies the widely accepted account of the events at Stalag VIII A.... For the End of Time is a thorough and readable piece of investigative journalism that clarifies some important points about the Quartet's genesis."--Michael Downes, Times Literary Supplement The premiere of Olivier Messiaen's Quartet for the End of Time on January 15, 1941, has been called one of the great stories of twentieth-century music. Composed while Messiaen (1908-1992) was imprisoned by the Nazis in Stalag VIII A, the work was performed under the most trying of circumstances: the temperature, inferior instruments, and the general conditions of life in a POW camp.Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and on documents from Stalag VIII A, For the End of Time examines the events that led to the Quartet's composition, the composer's interpretive preferences, and the musicians' problems in execution and how they affected the premiere and subsequent performances. Rebecca Rischin explores the musicians' life in the prison camp, their relationships with each other and with the German camp officials, and their intriguing fortunes before and after the momentous premiere. This paperback edition features supplementary texts and information previously unavailable to the author about the Quartet's premiere, Vichy and the composer, the Paris premiere, a recording featuring Messiaen as performer, and an updated bibliography and discography.

Presents the story of how French composer Olivier Messiaen was able to overcome the desolation of a World War II prison camp through the power of music.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

An examination of the popular Quartet for the End of Time by Olivier Messiaen.

From the Man Booker Prize Finalist comes the third novel in her Seasonal Quartet—a New York Times Notable Book and longlisted for the Orwell Prize for Political Fiction 2020 What unites Katherine Mansfield, Charlie Chaplin, Shakespeare, Rilke, Beethoven, Brexit, the present, the past, the north, the south, the east, the west, a man mourning lost times, a woman trapped in modern times? Spring. The great connective. With an eye to the migrancy of story over time and riffing on Pericles, one of Shakespeare's most resistant and rollicking works, Ali Smith tell the impossible tale of an impossible time. In a time of walls and lockdown, Smith opens the door. The time we're living in is changing nature. Will it change the nature of story? Hope springs eternal.

The story of a woman on the edge caught in the stranglehold between her lover and his wife. When her husband is released from prison, the situation explodes.