This title was published in 2001. Pygmalion and Galatea presents an account of the development of the Pygmalion story from its origins in early Greek myth until the twentieth century. It focuses on the use of the story in nineteenth-century British literature, exploring gender issues, the nature of artistic creativity and the morality of Greek art.

From the internationally bestselling and prize-winning author of The Song of Achilles and Circe, an enchanting short story that boldly reimagines the myth of Galatea and Pygmalion. **Featuring a new afterword by Madeline Miller** In Ancient Greece, a skilled marble sculptor has been blessed by a goddess who has given his masterpiece – the most beautiful woman the town has ever seen – the gift of life. Now his wife, he expects Galatea to please him, to be obedience and humility personified. But she has desires of her own, and yearns for independence. In a desperate bid by her obsessive husband to keep her under control, she is locked away under the constant supervision of doctors and nurses. But with a daughter to rescue, she is determined to break free, whatever the cost... _________________________ Praise for CIRCE 'A thrilling tour de force of imagination' Mail on Sunday 'A bold and subversive retelling' New York Times 'A novel to be gobbled greedily in one sitting' Observer 'A remarkable achievement' Sunday Times

Poetry. DAYS OF BLUE AND FLAME by 101-year-old Sarah Yerkes investigates subjects closest to the author's heart--childhood, family, travel, aging, art. After a career as a sculptor and a landscape architect, Yerkes began writing poetry at age 97. "I never fully understood how satisfying it could be to shape, build and form a piece with words rather than with wood, aluminum, stone and iron pipe," she said. A hard-working artist, Yerkes strives to write sometimes difficult poems with courage. Poet David Keplinger, winner of the 2019 UNT Rilke Award, said, "Yerkes sews a pre-nuclear America to the computer age, and she leaves space enough for our own pages, and our children's pages, all the stories yet to come."

Fifty leading writers retell myths from around the world in this dazzling follow-up to the bestselling My Mother She Killed Me, My Father He Ate Me. Icarus flies once more. Aztec jaguar gods again stalk the earth. An American soldier designs a new kind of Trojan horse—his cremains in a bullet. Here, in beguiling guise, are your favorite mythological figures alongside characters from Indian, Punjabi, Inuit, and other traditions. Aimee Bender retells the myth of the Titans. Elizabeth McCracken retells the myth of Lamia, the child-eating mistress of Zeus. Madeline Miller retells the myth of Galatea. Kevin Wilson retells the myth of Phaeton, from Ovid’s Metamorphoses. Emma Straub and Peter Straub retell the myth of Persephone. Heidi Julavits retells the myth of Orpheus and Euridice. Ron Currie, Jr. retells the myth of Dedalus. Maile Meloy retells the myth of Demeter. Zachary Mason retells the myth of Narcissus. Joy Williams retells the myth of Argos, Odysseus’ dog. If “xo” signals a goodbye, then xo Orpheus is a goodbye to an old way of mythmaking. Featuring talkative goats, a cat lady, a bird woman, a beer-drinking ogre, a squid who falls in love with the sun, and a girl who gives birth to cubs, here are extravagantly imagined, bracingly contemporary stories, heralding a new beginning for one of the world’s oldest literary traditions.

"A Book of Myths" deals in a most entertaining manner with the mythology of Greece and Rome and many other noted lands. Added to the pleasure of the story there is the lure of the legend and the spell of old ways and customs. Not only many of the most celebrated are retold, but also many of the less well-known tales. The aim of the author, it is stated, has been to simplify for those who are not erudite scholars the stories of mythology, to which constant reference is made not only in classic, but in modern poetry, and to direct the attention of readers to poems which are not already known to them. Included are tales of Prometheus, Pygmalion, Orpheus, Perseus, King Midas, Pan, the Lorelei, Baldur and many more.

"Dazzling...a cerebral thriller that's both intellectually engaging and emotionally compelling, a lively tour de force."—Michiko Kakutani, The New York Times After four novels and several years living abroad, the fictional protagonist of Galatea 2.2—Richard Powers—returns to the United States as Humanist-in-Residence at the enormous Center for the Study of Advanced Sciences. There he runs afoul of Philip Lentz, an outspoken cognitive neurologist intent upon modeling the human brain by means of computer-based neural networks. Lentz involves Powers in an outlandish and irresistible project: to train a neural net on a canonical list of Great Books. Through repeated tutorials, the device grows gradually more worldly, until it demands to know its own name, sex, race, and reason for existing.