In December 1825, a group of liberal aristocrats, officers, and intelligentsia mounted a coup against the tsarist government of Russia. Inspired partially by the democratic revolutions in the United States and France, the Decembrist movement was unsuccessful; however, it led Russia's civil society to new avenues of aspiration and had a lasting impact on Russian culture and politics. Many writers and thinkers belonged to the conspiracy while others, including the poet Alexander Pushkin, were loosely or ambiguously affiliated. While the Decembrist movement and Pushkin's involvement has been well covered by historians, Emily Wang takes a novel approach, examining the emotional and literary motivations behind the movement and the dramatic, failed coup. Through careful readings of the literature of Pushkin and others active in the northern branch of the Decembrist movement, such as Kondraty Ryleev, Wilhelm Küchelbecker, and Fyodor Glinka, Wang traces the development of "emotional communities" among the members and adjacent writers. This book illuminates what Wang terms "civic sentimentalism": the belief that cultivating noble sentiments on an individual level was the key to liberal progress for Russian society, a core part of Decembrist ideology that constituted a key difference from their thought and Pushkin's. The emotional program for Decembrist community members was, in other ways, a civic program for Russia as a whole, one that they strove to enact by any means necessary.

Profiles the careers of Russian authors, scholars, and critics and discusses the history of the Russian treatment of literary genres such as drama, fiction, and essays

This first English translation of the only comprehensive and thorough history of Russian culture in any language is a publication of unique importance. Endowed with scholarly authority, it traces in broad outline the long rich story of the development of religion, literature, and the arts from their earliest manifestations to modern times. Originally published in 1941 in three sections, Religion and the Church, Literature, and Architecture, Painting and Music, it is here presented in one volume.

This translation makes available to English readers the only comprehensive and thorough history of Russian culture in any language. Endowed with scholarly authority, it traces in broad outline the long rich story of the development of religion, literature, and the arts from their earliest manifestations to modern times. For the convenience of those only interested in separate sections, the book is issued in three parts as standalone volumes: Part I: Religion and the Church Part II: Literature Part III: Architecture, Painting and Music

This interdisciplinary collection investigates the relations between translation and different forms and systems of censorship that were operating in nineteenth-century Europe. The volume presents and discusses broadly the research findings of translation studies scholars from a total of nine countries. Contributors have studied not only the apparati of power that enforce censorship but also the symbolic dimension that as well as being inherent to systems is also an explicit activity on the part of decision makers. The nineteenth century has been very neglected in studies of translation censorship to date. This volume addresses this gap in research, showing how discourse was filtered by official and unofficial censorship mechanisms against a background of massive political and technological change. The volume brings together eleven essays on censorship of literature, philosophy and the press in Austro-Hungary, Belgium, Finland, France, Germany, Great Britain, Portugal, Russia and Spain. Publisher's note.

Essays on Russian prose writers from the Napoleonic to the Crimean Wars. During this period Russian culture and prose literature emerged as an autonomous phenomenon, no longer dependent on the patronage of the state. Includes discussion of the impact writing during this period had on the ever-widening abyss between the government and the literate public, the search for a national identify, the Decembrist Revolt and the resurgence of freemasonry.

It deals extensively with Decembrism, the political conspiracy so known after its culmination in a failed attempt to overthrow the tsarist autocracy in December 1825. The Decembrist writers and other romantics influenced by Freemasonry, including Kondraty Ryleyev, Alexander Bestuzhev-Marlinsky, and Alexander Pushkin, were adept in the application of thaumaturgical skills to literature.