Political, economic history of Wyoming.

This book focuses on Yellowstone: the park, the larger ecosystem, and even more so, the “idea” of Yellowstone. In presenting a case for a new conservation paradigm for the Greater Yellowstone Ecosystem (GYE), including Yellowstone National Park, the book, at its heart, is about people and nature relationships. This new paradigm will be truly committed to a healthy, sustainable environment, rich in other life forms, and one that affords dignity for all: humans and nonhumans. The new story or paradigm must be about living such a commitment and future for GYE in real time. The book presents a well-developed theory for interdisciplinary problem solving that is grounded in practice.

Devil’s Gate—the name conjures difficult passage and portends a doubtful outcome. In this eloquent and captivating narrative, Tom Rea traces the history of the Sweetwater River valley in central Wyoming—a remote place including Devil’s Gate, Independence Rock, and other sites along a stretch of the Oregon Trail—to show how ownership of a place can translate into owning its story. Seemingly in the middle of nowhere, Devil’s Gate is the center of a landscape that threatens to shrink any inhabitants to insignificance except for one thing: ownership of the land and the stories they choose to tell about it. The static serenity of the once heavily traveled region masks a history of conflict. Tom Sun, an early rancher, played a role here in the lynching of the only woman ever hanged in Wyoming. The lynching was dismissed as swift frontier justice in the wake of cattle theft, but Rea finds more complicated motives that involve land and water rights. The Sun name was linked with the land for generations. In the 1990s, the Mormon Church purchased part of the Sun ranch to memorialize Martin’s Cove as the site of handcart pioneers who froze to death in the valley in 1856. The treeless, arid country around Devil’s Gate seems too immense for ownership. But stories run with the land. People who own the land can own the stories, at least for a time.

What begins with simple observations from a Utah transplant to Wyoming becomes an ode to family and place, and perhaps an elegy for it all.” —Jeffe Kennedy, author of Wyoming Trucks, True Love, and the Weather Channel In this unconventional memoir, Kevin Holdsworth vividly portrays life in remote, unpredictable country and ruminates on the guts—or foolishness—it takes to put down roots and raise a family in a merciless environment. Growing up in Utah, Holdsworth couldn’t wait to move away. Once ensconced on the East Coast, however, he found himself writing westerns and dreaming of the mountains he’d skied and climbed. Fed up with city life, he moved to a small Wyoming town. In Big Wonderful, he writes of a mountaineering companion’s death, the difficult birth of his son, and his father’s terminal illness—encounters with mortality that sharpened his ideas about risk, care, and commitment. He puts a new spin on mountaineering literature, telling wild tales from his reunion with the mountains but also relating the surprising willpower it took to turn back from risks he would have taken before he became a father. He found he needed courage to protect and engage deeply with his family, his community, and the wild places he loves. Holdsworth’s essays and poems are rich with anecdotes, characters, and vivid images. Readers will feel as if they themselves watched a bear destroy an entire expedition’s food, walked with his great-great-grandmother along the icy Mormon Trail, and tried to plant a garden in Wyoming’s infamous wind. Readers who love the outdoors will eagerly partake, as “Holdsworth invites us to sit down at his literary campfire and listen to vivid, unforgettable stories” (High Country News).

In the fall of 1913, Laura and Earle Smith, a young Iowa couple, made the gutsy—some might say foolhardy—decision to homestead in Wyoming. There, they built their first house, a claim shanty half dug out of the ground, hauled every drop of their water from a spring over a half-mile away, and fought off rattlesnakes and boredom on a daily basis. Soon, other families moved to nearby homesteads, and the Smiths built a house closer to those neighbors. The growing community built its first public schoolhouse and celebrated the Fourth of July together—although the festivities were cut short because of snow. By 1917, however, the Smiths had moved back to Iowa, leasing their land to a local rancher and using the proceeds to fund Earle’s study of law. The Smiths lived in Iowa for most of the rest of their lives, and sometime after the mid-1930s, Laura wrote this clear, vivid, witty, and self-deprecating memoir of their time in Wyoming, a book that captures the pioneer spirit of the era and of the building of community against daunting odds.

The story of water in the United States is one of ecosystemic disruption and social injustice. From the Standing Rock Indian Reservation and Flint, Michigan, to the Appalachian coal and gas fields and the Gulf Coast, low-income communities, Indigenous communities, and communities of color face the disproportionate effects of floods, droughts, sea level rise, and water contamination. In Hydronarratives Matthew S. Henry examines cultural representations that imagine a just transition, a concept rooted in the U.S. labor and environmental justice movements to describe an alternative economic paradigm predicated on sustainability, economic and social equity, and climate resilience. Focused on regions of water insecurity, from central Arizona to central Appalachia, Henry explores how writers, artists, and activists have creatively responded to intensifying water crises in the United States and argues that narrative and storytelling are critical to environmental and social justice advocacy. By drawing on a wide and comprehensive range of narrative texts, historical documentation, policy papers, and literary and cultural scholarship, Henry presents a timely project that examines the social movement, just transition, and the logic of the Green New Deal, in addition to contemporary visions of environmental justice.

A stirring invitation to awe--and to what it means to be wild. Out on the edges of our frantic twenty-first-century nation, bands of wild horses stand nestled together, calmly nuzzling each other to maintain the bonds of family. Prairie hills unfurl around them, and the sky provides their shelter. In the same states where factories churn, offices bustle, and cell phones demand our attention, remote places of solace and beauty rest, mostly undiscovered, in a parallel world that lies closer than we often imagine. Through the lens of the wild mustang, social scientist and poet Chad Hanson gives us new ways to see and meaningfully engage our world as we enter new considerations about how we understand animals and our landscapes, our history, and ourselves. What is a wild animal? How do feelings of reverence reconnect us with nature? What can we learn from our wisdom traditions? And in the end, what would it look like if we managed public land with the common good in mind? With wisdom gathered from the histories of the American West, geography, philosophy, theology, and sociology, we meet awe anew. In the tradition of the great literary and nature writers, In a Land of Awe serves as a plea for what we stand to lose if we don't find the courage to protect the planet's most beautiful, and vulnerable, others.