Create one-of-a-kind dolls in a primitive folk-art style for unique gifts and home décor. These primitive weathered and worn character dolls will inspire you to make your own. • Tips from an accomplished folk artist on how to design a unique primitive doll and how to translate that design into a finished creation • Techniques for "grunging" to give new materials an antique look • Detailed instructions and step-by-step photos for every step of the process, including creative ideas for hair, clothes, and accessories • Includes a gallery of the author's own popular creations

Create one-of-a-kind dolls in a primitive folk-art style for unique gifts and home décor. These primitive weathered and worn character dolls will inspire you to make your own.

Folk Art Primitive Doll Patterns takes the artist step-by-step to create 20 cloth dolls. Full-sized patterns are included for each doll along with a full color photograph of the completed doll. The book also includes clothing patterns. Folk Artist, Jennifer Terry creates many dolls each year and sold at art festivals, online and through word of mouth. Jennifer resides in the Alabama hill country, home to many talented folk artist and primitive craftsmen. Keeping with the purist folk art spirit, Jennifer doesn't use computer drawn images. She creates each pattern as the doll springs to life in her head. Folk Art Primitive Doll Patterns offers original hand drawn patterns sure to inspire, as you create your own folk art doll. Jennifer provides tips and techniques to hand paint a 3d effect on your dolls face as well as assembly tips. Folk Art Primitive Doll Patterns guides the doll artist through the process of creating a cherished family heirloom.

Traces the history of Hopi kachina dolls as an art form, explains the role of Kachina dolls in Hopi culture, and profiles twenty-seven modern kachina doll carvers

Tells the story of Stephen Gordon, a girl born at the turn of century, and her struggle for acceptance as a lesbian.

A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.