Based On The Data Gathered From Field-Work And Secondary Sources, This Book Vividly Describes The Ground Realities Of An Agrarian Society Like That Of Punjab, Which Is Rapidly Transforming Itself In Terms Of Needs, Aspirations And Socio-Economic Perceptions Of The People.

In a revised edition of his original book, J. S. Grewal brings the history of the Sikhs from its beginnings in the time of Guru Nanak, the founder of Sikhism, right up to the present day. Against the background of the history of the Punjab, the volume surveys the changing pattern of human settlements in the region until the fifteenth century and the emergence of the Punjabi language as the basis of regional articulation. Subsequent chapters explore the life and beliefs of Guru Nanak, the development of his ideas by his successors and the growth of his following. The book offers a comprehensive statement on one of the largest and most important communities in India today.

Painting In Punjab Is A Doctoral Thesis Approved By Meerut University, Meerut (India). It Is A First Comprehensive Survey Of Visual Arts (Miniature Painting, Illustrated Manuscripts And Mural Painting) Which Flourished In The Land Of Five Rivers Governed By The Lion Of Punjab, Maharaja Ranjit Singh (1780-1839) As Also The Area Reigned By East Punjab Rajas Known As Ruler Of Cis-Sutlej I.E. Malwa States; Maharaja Narinder Singh (1845-1862) Being The Prominent Among The Patraons Of Art And Learning Whose Contribution Excelled All In This Respect. The Present Study Covers Miniatures, Illuminated Manuscripts As Well As The Mural Painting Done In Both The Areas Of Punjab Thus Discovering And Establishing For The First Time A Definitive Movement Of Visual Arts Which Existed In Punjab Of Nineteenth Century. This Brings To The Attention Of Scholarly World A Rich Style Of Painting Known As Punjab Painting Hitherto Unknown Just Like Other Indian Schools Of Painting Viz Mughal, Rajput And Pahari Painting With All The Salient Features Of Any Art Movement Inherent In It. Special Feature Of The Book Lies In The Fact That It Sheds Light On The Social Life Of The Painters Who Made Creative And Beautiful Environments-Royal And Private Both-But Thus Far Remained In Oblivion. Simultaneously It Seeks To Trace The Presence Of Amour Artists In Both Regions And Their Family Genealogies Which Help Us To Track Down The Movement Of Art From One Princely Center To Another. One Such Family Was Chughtai Family Which Came From Heart (Persia) And Settled In Lahore, And Its Members Were Responsible For Significant Contribution To Creative Arts Of Punjab Specially During The Life Time Of Maharaja Ranjit Singh In The Capital Town Of Lahore. Unique Feature Of The Book Is That It Offers To The Reader An Opportunity To See The Flowering Of Vaishnavite Art In The Courts Of Tolerant Sikh Rulers Of Both Trans-Sutlej As Well As Cis-Sutlej Areas Of Punjab.

Village people in the Punjab have lived with the terror of the conflict between Sikh militants and Indian security forces since the attack on the Sikh Golden Temple in 1984. In this remarkable book, a courageous anthropologist who knows the region intimately presents a very human portrait of the struggle. She argues that, despite its apparent defeat, it can only be in abeyance while the root causes, which have prompted so many young Sikhs to take up arms and fight for an independent Khalistan, remain unaddressed. Through the skilful use of interviews, Dr Pettigrew takes us into the worlds of Punjabi farmers, Sikh militants, and the police commanders responsible for containing a vicious conflict whose ramifications have spilled beyond the Punjab into wider Indian politics.

The Punjab--an area now divided between Pakistan and India--experienced significant economic growth under British rule from the second half of the nineteenth century. This expansion was founded on the construction of an extensive network of canals in the western parts of the province. The ensuing agricultural settlement transformed the previously barren area into one of the most important regions of commercial agriculture in South Asia. Nevertheless, Imran Ali argues that colonial strategy distorted the development of what came to be called the "bread basket" of the Indian subcontinent. This comprehensive survey of British rule in the Punjab demonstrates that colonial policy making led to many of the socio-economic and political problems currently plaguing Pakistan and Indian Punjab. Subordinating developmental goals to its political and military imperatives, the colonial state cooperated with the dominant social classes, the members of which became the major beneficiaries of agricultural colonization. Even while the rulers tried to use the vast resources of the Punjab to advance imperial purposes, they were themselves being used by their collaborators to advance implacable private interests. Such processes effectively retarded both nationalism and social change and resulted in the continued backwardness of the region even after the departure of the British. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.