"There was never an artist who came close to capturing horror and dread like Lee Brown Coye. He was master of the weird and grotesque illustration. Coye's sketches had the shape of nightmares."—Robert Weinberg, The Weird Tales Story "It was always my belief that a good drawing was a good drawing, whether it was in the archives of the Metropolitain Museum or in a pulp magazine."— Lee Brown Coye No other artist working in mid-century pulp fiction created work as twisted as Lee Brown Coye. By the 1970s, after surviving a life-threatening illness, Coye would outdo himself, creating lurid illustrations exclusive to rare privately published books and fanzines. With nearly one hundred gloriously rendered Coye-penned images, Pulp Macabre showcases Coye's final and darkest era, containing some of the most passionately ghoulish artwork ever made. Mike Hunchback is an enthusiast of various eras of extreme and bizarre underground art, and is currently working on a biography of original Fangoria magazine editor Robert "Uncle Bob" Martin. Caleb Braaten operates Sacred Bones Records, which has recently teamed with David Lynch to release his new album The Big Dream.

Pulp Macabre showcases illustrations from pulp artist Lee Brown Coye's final and darkest era.

Classic Stories from the golden age of pulp comics given a spit shine and printed again in their original glory. This first volume of Classic Pulp is loaded with lost tales of ghouls and gumshoes! Curated and digitally remastered to their original colors and quality by Joshua Werner, these classic pulp comic stories are sure to shock and thrill! This collects Classic Pulp: Horror, Classic Pulp: Detectives, Classic Pulp: Ellery Queen, and Classic Pulp: Ghosts , and is packed with exclusive bonus content . A must - have for fans of horror and mystery!

A collection of the out-of-print first three issues of Pulp Horror, the fanzine dedicated to vintage horror fiction from pulps, magazines and paperbacks. Interviews, articles and reviews on 50 years of classic horror fiction.

Expanding upon The Pulp Horror Book of Phobias, this second volume brings thirteen* not-so-irrational fears much closer to home. Find out what happens when a family goes missing in their own home, an acquired piece of artwork turns out to be much more than bargained for, a child is left home alone with his grandma, the kitchen compost gets out of control, doors in the house refuse to open and more. Stories by Mehitobel Wilson, Michael Bailey, Donna JW Munro, Steve Carr, Kealan Patrick Burke, Stephen King*, JG Faherty, John Peyton Cooke, John Palisano, Colleen Anderson, Nancy Kilpatrick, Jill Hand and Sèphera Girón. *Please note: Gramma by Stephen King is included in the Special Edition hardcover, Limited Edition paperback and audiobook only.

Judge these books by their covers! Get immersed in the definitive visual history of pulp fiction paperbacks from 1940 to 1970. The Art of Pulp Fiction: An Illustrated History of Vintage Paperbacks chronicles the history of pocket-sized paperbound books designed for mass-market consumption, specifically concentrating on the period from 1940 to 1970. These three decades saw paperbacks eclipse cheap pulp magazines and expensive clothbound books as the most popular delivery vehicle for escapist fiction. To catch the eyes of potential buyers they were adorned with covers that were invariably vibrant, frequently garish, and occasionally lurid. Today the early paperbacks--like the earlier pulps, inexpensively produced and considered disposable by casual readers--are treasured collector's items. Award-winning editor Ed Hulse (The Art of the Pulps and The Blood 'n' Thunder Guide to Pulp Fiction) comprehensively covers the pulp-fiction paperback's heyday. Hulse writes the individual chapter introductions and the captions, while a team of genre specialists and art aficionados contribute the special features included in each chapter. These focus on particularly important authors, artists, publishers, and sub-genres. Illustrated with more than 500 memorable covers and original cover paintings. Hulse's extensive captions, meanwhile, offer a running commentary on this significant genre, and also contain many obscure but entertaining factoids. Images used in The Art of Pulp Fiction have been sourced from the largest American paperback collections in private hands, and have been curated with rarity in mind, as well as graphic appeal. Consequently, many covers are reproduced here for the first time since the books were first issued. With an overall Introduction by Richard A. Lupoff, novelist, essayist, pop-culture historian, and author of The Great American Paperback (2001).

Reunions, racial and sexual tensions, extramarital affairs and cannibalistic, undead vegetarians: hell times infinity.