A collection of gay erotic writings tracing the development of a gay identity from the late 19th century to just before the Stonewall Inn riots Long before the rise of the modern gay movement, an unnoticed literary revolution was occurring, mostly between the covers of the cheaply produced pulp paperbacks of the post-World War II era. Cultural critic Michael Bronski collects a sampling of these now little-known gay erotic writings—some by writers long forgotten, some never known and a few now famous. Through them, Bronski challenges many long-held views of American postwar fiction and the rise of gay literature, as well as of the culture at large. CONTENTS Part One Mainstream Fiction: Not Particularly Hiding in the Shadows Harrison Dowd, The Night Air, Dial Press, 1950 Lonnie Coleman, Sam, David McKay, 1959 Part Two The New Gay Novel: Happier Homos and Happier Endings James Barr, "Spurr Piece" from Derricks, Greenberg, 1951 Jay Little, Maybe—Tomorrow, Pageant Press, 1952 Part Three Truly Pulp: "Gay" Life in the Shadows Michael De Forrest, The Gay Year, Woodford Press, 1949 Vin Packer (Marijane Meaker), Whisper His Sin, Fawcett Gold Medal Books, 1954 Ben Travis, The Strange Ones, Beacon Book, 1959 James Colton (Joseph Hansen), Lost on Twilight Road, National Library, 1964 Jeff X, The Memoirs of Jeff X, Zil, 1968 Part Four Out of the Twilight World: The Sexual Revolution Goes Lavender The Boys of Muscle Beach, Guild Press, 1969 (reprint from the 1950s) Richard Amory, Song of the Loon, Greenleaf Classics, 1966 Carl Corley, My Purple Winter, PEC French Line, 1966 Jack Love, Gay Whore, PEC French Line, 1967 Chris Davidson, A Different Drum, Ember Library/Greenleaf Classics, 1967 Part Five The World Split Open: Life and Literature After Stonewall Marcus Miller, Gay Revolution, Pleasure Reader, 1969 Bruce Benderson, Kyle, Crusier Classics, 1975 Victor Jay, The Gay Haunt, Traveller's Companion, 1970 John Ironstone, Gay Rights, El Dorado Editions, 1978 Appendix: Gay Novels, 1940-1969 Bibliography

Nothing’s sweeter than a fruitful family business, and for Winona Mae Montgomery and her Granny Smythe, that means Smythe Orchards in Blossom Valley, Virginia. But this year’s apple crop is especially juicy—with scandal . . . SEEDS OF DANGER Thanks to Winnie's new cider shop, Smythe Orchards is out of the red and folks can get their fix of the produce and other delectable products they love all year round. The locals are even booking the shop for events, including a June wedding! Winnie couldn’t be happier to see the barn filled to the rafters for the big bash—until her doting ex, Hank, is caught in a heated argument with the groom. Winnie plans to scold Hank after the party, but spots him running off instead. And when the groom turns up dead, apparently hit by the honeymoon getaway car, Hank is the main suspect. Now Hank is on the lam, and it’s up to Winnie to get to the core of the truth—before the real killer puts the squeeze on her . . . “Readers will appreciate the good will of Lindsey's characters in this warmly written, cider-centric cozy series.” —Kirkus Reviews Includes Recipes!

On the trail of two murderous madmen and the mysterious Television Terror, the Spirit takes Rocketeer to Central City, and Cliff finds it nearly impossible to navigate in such a crowded urban setting„but he'd better learn quickly because Betty's life depends on it!

In this highly provocative and frequently humorous collection of essays, Blaise Cronin scrutinizes the world of North American librarianship, highlighting its excesses and inconsistencies. From pornography and censorship to the idiocies of accreditation; from feminist scholarship to the rhetoric of the digital divide; from faculty status for librarians to developments in electronic scholarship; from information warfare to the role of the American Library Association this book is an engaging tour of "Libraryland." Pulp Friction is not only engaging and easy to read but it is the kind of book that one can dip in and out of or read in one sitting. Ideal for professional librarians, library science faculty, library users, and all those who care about the nature and role of the library in contemporary society.

Dana Polan sets out to unlock the style and technique of 'Pulp Fiction'. He shows how broad Tarantino's points of reference are, and analyzes the narrative accomplishment and complexity. In addition, Polan argues that macho attitudes celebrated in film are much more complex than they seem.

In Central City, Denny and Cliff, AKA The Spirit and The Rocketeer, are on the trail of a deviously dangerous, glove-wearing foe-but will they be able to unravel the web of mystery and intrigue they have become embroiled in? Find out in the grand finale of Pulp Friction, as two timeless characters finally discover the truth... or do they? Bonus! What happens to our hapless heroines, Betty and Ellen?

The blind photographer cannot see a butterfly perched perfectly still on a flower, a bowl of sweet-smelling fruit, or a child's rattle on a darkened floor, but the mind's eye is sharply focused. How then, do blind or partially sighted people capture such extraordinary images? The photographs in this revelatory book suggest a deeper truth: that blindness is itself a kind of seeing, and that those who can see are often blind to the strangeness and beauty of the world around them. As the blind photographer Evgen Bavcar writes, "Photography must belong to the blind, who in their daily existence have learned to become the masters of camera obscura." Through the photographs of more than fifty blind or partially sighted people from around the world, this exhilarating book—the first to explore this phenomenon in all its vibrancy and diversity—will make you see differently.