The most anticipated political memoir of the year. A frank account from National MP Judith Collins of the highs and lows of a political life. From her humble beginnings as the youngest daughter of Labour-voting farming parents, Judith Collins has carved a path to almost the very top of New Zealand politics. Collins grew up in rural Walton, Waikato, on a dairy farm. At the age of 10 she entered politics, running for class president. She won. After a successful career as a lawyer, Collins became the MP for Papakura in 2002, alongside fellow new recruit John Key. When Key and National won office in 2008, Collins became the Minister for Police, Corrections and Veterans. Pull No Punches is the candid story of a determined Minister at the centre of New Zealand political life and of a woman who is always resilient in the face of adversity. Funny, forthright and fearless, Collins reveals what it is like to survive-and thrive-for two decades as a senior female politician.

In "Pulling No Punches: Poetry of Resistance," poet William Gomes delivers a powerful and moving collection that gives voice to the struggles, triumphs, and unbreakable spirit of those living on the margins. With a keen eye for social commentary and a deep well of empathy, Gomes shines a light on the harsh realities faced by many, while also celebrating the resilience and courage of those who persist against the odds. Through poems like "Beyond Confinement" and "Voices Unheard," Gomes invites readers into the lives of individuals navigating a society that often overlooks or diminishes them. With every line, he captures the quiet struggles and everyday acts of courage that so often go unnoticed, giving voice to the unheard and affirming the dignity of every life. Other works, such as "Beneath the Sheen" and "The Gears of Indifference," serve as a searing indictment of the systems and attitudes that perpetuate inequality and injustice. Through these verses, Gomes challenges readers to confront uncomfortable truths and join the fight for a more compassionate and inclusive world. Even in the darkest moments, threads of hope and defiance run through this collection. In "Seeds of Change" and "Unsilenced," Gomes reminds readers of the transformative power of solidarity and the indomitable nature of the human spirit. These poems are not just about resistance, but also about resilience, empowerment, and the unwavering belief that a better future is possible. Urgent, unflinching, and ultimately uplifting, "Pulling No Punches" is a deeply personal journey that reflects the author's own experiences and those of the communities he is a part of. It is a call to action, a plea for empathy, and a celebration of the strength and beauty of the human spirit in the face of adversity. Step into these pages with an open heart and a willingness to listen deeply. Let these poems be a mirror, a window, and a doorway - a mirror to reflect our shared humanity, a window into lives and experiences that may be different from your own, and a doorway to a world of greater understanding, compassion, and unity. "Pulling No Punches" is not just a collection of poetry, but a testament to the power of words to inspire change and to remind us of our shared humanity. It is a must-read for anyone who believes in the fight for a society where every voice is valued, and every life is affirmed.

Offences, Outrages and Other Observations: the best of Bob Jones' New Zealand Herald columns. Every week Bob Jones delivers an upper cut to the foibles, foolishness and outright fatuousness of contemporary life. In this collection of the best of his columns from the NZ Herald, he lines up the pious, the pitiful and the politically correct - and never pulls his punches. Uncompromising and unexpurgated, this is Sir Bob at his mosthonest and hilarious

Heavyweight champion Jack Dempsey called Sam Langford from Weymouth Falls, Nova Scotia, “The greatest fighter we’ve ever had.” And champion Jack Johnson stated he “he was the toughest little son-of-a-bitch that ever lived.” Celebrated New York boxing writer Hype Igoe said he was “the greatest fighter, pound for pound, who ever lived,” while New York sports writer Joe Williams said he “was probably the best the ring ever saw.” Langford was so good that many boxers refused to fight him, so good that he took bouts with bigger men just to get a match, so good that he once fought the greatest boxer of his age, Jack Johnson, who was forty pounds heavier and a good foot taller—and still went the distance. Yet, for all the ferocity of his talent, Sam Langford (1883-1956) could not outbox fistic fate. From his first bout in 1902 until his last a quarter century later, he battled boxing’s colour barrier that kept him from being world champion in three different weight classes. Still, he refused to be knocked down and relentlessly pursued a title shot until he was nearly forty. When, in 1923, he approached Jack Kearns, the manager of then heavyweight champion Jack Dempsey, for a title bout, the wily Kearns looked over the nearly blind, well-past-his-prime boxer, and shook his head. “We were looking for someone easier,” he sighed. He was just that good. When Langford could no longer get his title shot, he retired from the ring in 1926 and soon faded from the public mind—until the serious compilers of lists that recognize boxing’s all-time greatest began including his name, and he found himself becoming a legend. His official record says he fought 250 bouts, but he remembered fighting more than 500. And he loved to talk about them all, loved the stories that shaped the contours of his life and loved the absolute truth and less-than-certain tales that wove themselves into his boxing legend. Of course, this was as it should have been, because for him, great boxing was as much about the battles’ tales as it was about the battles themselves. This is the story of Sam Langford.

‘An immense work of love and anger, a book Bram Presser was born to write.’ Joan London They chose not to speak and now they are gone...What’s left to fill the silence is no longer theirs. This is my story, woven from the threads of rumour and legend. Jakub Rand flees his village for Prague, only to find himself trapped by the Nazi occupation. Deported to the Theresienstadt concentration camp, he is forced to sort through Jewish books for a so-called Museum of the Extinct Race. Hidden among the rare texts is a tattered prayer book, hollow inside, containing a small pile of dirt. Back in the city, Františka Roubíčková picks over the embers of her failed marriage, despairing of her conversion to Judaism. When the Nazis summon her two eldest daughters for transport, she must sacrifice everything to save the girls from certain death. Decades later, Bram Presser embarks on a quest to find the truth behind the stories his family built around these remarkable survivors. The Book of Dirt is a completely original novel about love, family secrets, and Jewish myths. And it is a heart-warming story about a grandson’s devotion to the power of storytelling and his family’s legacy. Bram Presser was born in Melbourne in 1976. His stories have appeared in Best Australian Stories, Award Winning Australian Writing, The Sleepers Almanac and Higher Arc. His 2017 debut novel, The Book of Dirt, won the 2018 Goldberg Prize for Debut Fiction in the US National Jewish Book Awards, the 2018 Voss Literary Prize and three awards in the 2018 NSW Premier’s Literary Awards: the Christina Stead Prize for Fiction, the UTS Glenda Adams Award for New Writing and The People’s Choice Award. ‘The lyrical, impassioned and culturally rich prose of The Book of Dirt, and its moral force, bears echoes of such great Jewish writers as Franz Kafka (Presser inherited his grandfather’s copy of The Trial), Elie Wiesel, Primo Levi, Isaac Bashevis Singer and Cynthia Ozick...It is a major book, and one for the times: while I was reading it, neo-Nazis in America brought fatal violence to Charlottesville, and, in Melbourne, neo-Nazis placed posters in schools calling for the killing of Jews to be legalised...The Book of Dirt is a courageous work, as necessary for us to read as it was for Presser to write.’ Saturday Paper ‘A beautiful literary mind.’ A.S. Patrić ‘Meet Bram Presser, aged five, smoking a cigarette with his grandmother in Prague. Meet Jakub Rand, one of the Jews chosen to assemble the Nazi’s Museum of the Extinct Race. Such details, like lightning flashes, illuminate this audacious work about the author’s search for the grandfather he loved but hardly knew. Working in the wake of writers like Modiano and Safran Foer, Presser brilliantly shows how fresh facts can derail old truths, how fiction can amplify memory. A smart and tender meditation on who we become when we attempt to survive survival.’ Mireille Juchau ‘The Book of Dirt is a grandson’s tender act of devotion, the product of a quest to rescue family voices from the silence, to bear witness, drawing on legend, journey and history, and shaped by extraordinary storytelling.’ Arnold Zable ‘A remarkable tale of Holocaust survival, love and genealogical sleuthing...A beautiful tale that will stay with the reader long after the book’s end.’ Books+Publishing ‘It’s hard not to be captured from the opening epigraph...[A] magnificent ode to all that is lost.’ Longin to Be ‘It is difficult to convey the breadth and nuance of this extraordinary work. It is a book about how history is made—and about who is allowed the privilege to remake it. There are echoes here of Sebald’s biting honesty and Chabon’s long and rewarding vignettes. An absolute pleasure to read.’ Readings ‘As in Sebald’s prose narratives, Presser’s novel inhabits and the dynamic region between fiction and non-fiction.’ Australian Book Review ‘An impressive and captivating story of remembrance, a journey into the past for the sake of deciphering our present.’ Dasa Drndic ‘In The Book of Dirt the fractured lines of memory create a gripping story of survival and love.’ Leah Kaminsky ‘I found Bram Presser’s The Book of Dirt impossible to forget. Penetrating, soulful, and surprisingly welcoming, it reminded me of my own ancestors and how easy it is to sidestep the past.’ Barry Scott, Australian Book Review, 2017 Publisher Picks ‘Presser blurs the boundaries of fact and fiction in a compelling way...A wonderful and original book, told in rich, lyrically beautiful prose that is laden with history and cultural meaning.’ Good Reading ‘A combination of homage, mystery, family history and a sepia-toned love story...The Book of Dirt is magnificent.’ ANZ LitLovers ‘A heartfelt and original attempt to bridge the ever-growing gaps between history, memory and silence...Its heart beats so earnestly, and so loud...What Presser has produced is a meditation on the ethics of storytelling, of the duties we owe to the people whose stories we tell, and to the people whose stories we don’t.’ Australian ‘Always surprising and beautifully complex, and both deft and sensitive in its handling of its intertwined narratives and materials. It is an incredibly affecting book, one that lingers long after reading—and a remarkably assured debut.’ Age ‘A gripping tale of survival and an absorbing novelisation of his family’s extraordinary lives...Presser fills in the gaps in his grandfather’s story with vivid character studies; together with poignant black and white snapshots, he brings them evocatively to life. His poetic narrative is a perfect foil for the silences of his forbears.’ Toowoomba Chronicle ‘The Book of Dirt is both a loving, honest portrayal of lives that would have been erased, and an incorporation of the broader lessons of their experience into contemporary mythology. It keeps the discussion about trauma, memory, and intergenerational acts of transfer alive for those generations that follow, that risk forgetting. It is a potent achievement for a debut novel.’ Sydney Review of Books

When Muhammad Ali met Joe Frazier in Manila for their third fight, their rivalry had spun out of control. The Ali-Frazier matchup had become a madness, inflamed by the media and the politics of race. When the "Thrilla in Manila" was over, one man was left with a ruin of a life; the other was battered to his soul. Mark Kram covered that fight for Sports Illustrated in an award-winning article. Now his riveting book reappraises the boxers -- who they are and who they were. And in a voice as powerful as a heavyweight punch, Kram explodes the myths surrounding each fighter, particularly Ali. A controversial, no-holds-barred account, Ghosts of Manila ranks with the finest boxing books ever written.