This is a story of a sober kind, picturing life in a little town of Missouri, half a century ago. The principal incidents relate to a slave of mixed blood and her almost pure white son, whom she substitutes for her master's baby. The slave by birth grows up in wealth and luxury, but turns out a peculiarly mean scoundrel, and perpetrating a crime, meets with due justice. The science of fingerprints is practically illustrated in detecting the fraud. The title character is the village atheist, whose maxims doubtless express much of the author's own disillusion.

Pudd'nhead Wilson (1894) is a novel by American writer Mark Twain.Its central intrigue revolves around two boys--one, born into slavery,the other,white,born to be the master of the house.The two boys,who look similar,are switched at infancy.Each grows into the other's social role.Originally part of the Pudd'nhead Wilson book, Twain realised during the writing process that the twins were taking a backseat to characters such as Pudd'nhead Wilson,Roxy,and Tom Driscoll.As a result,he took them out and gave them their own short story. He explains all this in the Introduction to this book.

When a mulatto slave woman switches her own infant with the look-alike son of a wealthy merchant, it takes Pudd'nhead Wilson, the town eccentric, to put things right again.

Mark Twain's ‘Those Extraordinary Twins’ follows conjoined twins, Luigi and Angelo. While the former is something of a sensualist, often drinking to excess and constantly wreathed in cigarette smoke, the latter, Angelo, is much more conservative, loathing cigarettes and, despite being teetotal, enduring the hangovers his brother doesn’t. When they visit a small village, Twain explores the reaction of the inhabitants and the twins’ reaction towards them. A short story, ‘Those Extraordinary Twins’ is a perfect mix of humour and seriousness, and it takes an intriguing glance at how people interact with one another. This short story is a perfect read for fans of Mark Twain or for anyone who is simply looking for something quick and fun. Mark Twain is the pseudonym of Samuel Langhorne Clemens, (1835-1910). He was an American humourist, lecturer, journalist, and novelist who acquired international fame for his adventure stories of boyhood, especially 'The Adventures of Tom Sawyer' and 'The Adventures of Huckleberry Finn'. Twain transcended the apparent limitations of his origins to become a popular public figure and one of America’s most beloved writers. So many of Mark Twain's stories have been made into films that it is impossible to name them all. The most popular ones are "The Adventures of Huck Finn" (1993), starring Elijah Wood, "Tom Sawyer" (1973), starring Jodie Foster, and "The Prince and the Pauper" (1990), produced by Walt Disney animation.

Gillman (English, University of Cal., Santa Cruz) challenges the widely held assumption that Twain's concern with identity is purely biographical and argues that what has been regarded as a problem of individual psychology must be located instead within American society around the turn of the century. Paper edition available at $12.95. Annotation copyrighted by Book News, Inc., Portland, OR

This collection seeks to place Pudd’nhead Wilson—a neglected, textually fragmented work of Mark Twain’s—in the context of contemporary critical approaches to literary studies. The editors’ introduction argues the virtues of using Pudd’nhead Wilson as a teaching text, a case study in many of the issues presently occupying literary criticism: issues of history and the uses of history, of canon formation, of textual problematics, and finally of race, class, and gender. In a variety of ways the essays build arguments out of, not in spite of, the anomalies, inconsistencies, and dead ends in the text itself. Such wrinkles and gaps, the authors find, are the symptoms of an inconclusive, even evasive, but culturally illuminating struggle to confront and resolve difficult questions bearing on race and sex. Such fresh, intellectually enriching perspectives on the novel arise directly from the broad-based interdisciplinary foundations provided by the participating scholars. Drawing on a wide variety of critical methodologies, the essays place the novel in ways that illuminate the world in which it was produced and that further promise to stimulate further study. Contributors. Michael Cowan, James M. Cox, Susan Gillman, Myra Jehlen, Wilson Carey McWilliams, George E. Marcus, Carolyn Porter, Forrest Robinson, Michael Rogin, John Carlos Rowe, John Schaar, Eric Sundquist