Next to Verdi's A‹da, Giacomo Puccini's La BohŠme is the most popular opera ever written. Performances of A‹da, La BohŠme, Carmen, and Don Giovanni ? the four operas most often performed ? constitute approximately 75 percent of the yearly schedule of operas throughout the world. This volume contains everything the opera goer needs to derive full satisfaction from La BohŠme except the musical score itself. Most important, it provides the complete text of the Italian libretto, just as it is actually sung; that is, where a singer repeats a phrase several times, each of the repetitions is given here. And facing the Italian text is a completely new translation of the libretto into modern, idiomatic English. In addition to the libretto and English translation, this edition provides a careful, concise summary of the plot of La BohŠme and a complete list of the opera's characters. There is also a brief, highly informative introduction by the translator that traces Puccini's masterpiece back to its source in Henry Murger's autobiographical novel La Vie BohŠme, illuminating the early history of the opera and its later development. Opera lovers can use this book with their own recordings of the opera, read it before attending a performance, or can easily take it along to the performance itself. Those who have regretted the lack of a good, authentic, readable edition of the Italian libretto of La BohŠme, and have complained of the stodginess of existing English translations, will recognize in this book a first-rate aid to the understanding of one of Puccini's most celebrated operas.

Music excerpts are presented to show Mozart's use of tonal quality, voice interaction, and mood and melody changes in his five greatest operas

Definitive, full-scale biography and critical study of great 18th-century composer. Rameau's life and times, influence on Gluck, acoustic and harmonic theories, other topics, plus full treatment of great operas and ballets. Over 300 musical examples.

This compilation contains the most interesting, evocative, and amusing sections of letters, diaries, memoirs, etc., describing Beethoven's accomplishments as well as his strange personality. Traits and characteristics of the great composer are described by his contemporaries, including musical giants Rossini, Weber, and Liszt, and poets Goethe and Grillparzer, as well as other acquaintances. 16 portraits of Beethoven are included.

Self-revelations of tormented great composer; musical life in Paris, Wagner and other contemporaries, musical opinions, much more. 11 plates.

Originally published circa 1700, this is a milestone in the development of one of the oldest instruments. Features a new translation, with introduction and notes, by Paul Marshall Douglass. Includes 23 musical excerpts, 6 double-page fingering charts, more.

This classic in music biography and criticism reflects the intimate knowledge of Chopin's music acquired by the author while studying to become a concert pianist. Part 1 deals with Chopin's life and comments on his teachings and performances; the second part offers a brilliant, piece-by-piece analysis of the entire body of his music.