"Illustrated collection of eight essays examining the relationship between print and art from the sixteenth through the twentieth century. Explores the role of the book trade in the dissemination of artistic theory, fashion, and practice, and the influence of aesthetic trends on book design. Part of the Publishing Pathways series"--Provided by publisher.

Forms, Formats and the Circulation of Knowledge explores the authority of print in all its shapes in the British book trade (1688-1832). The transdisciplinary volume skilfully recovers the innovations and practices of a disorderly market accommodating a widening audience.

Misericord carvings present a fascinating corpus of medieval art which, in turn, complements our knowledge of life and belief in the late middle ages. Subjects range from the sacred to the profane and from the fantastic to the everyday, seemingly giving equal weight to the scatological and the spiritual alike. Focusing specifically on England - though with cognisance of broader European contexts - this volume offers an analysis of misericords in relation to other cultural artefacts of the period. Through a series of themed "case studies", the book places misericords firmly within the doctrinal and devotional milieu in which they were created and sited, arguing that even the apparently coarse images to be found beneath choir stalls are intimately linked to the devotional life of the medieval English Church. The analysis is complemented by a gazetteer of the most notable instances. Dr Paul Hardwick is Professor in English, Leeds Trinity University College.

Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada

Bringing together a fascinatingly diverse yet closely related group of subjects, Where Words and Images Meet asks us to rethink what we know about words and images and how they interact. From 19th-century frontispieces to Soviet photo albums, from the relationships between portraits and biographies to museum labels, the book's richly illustrated chapters open up historically specific connections between word and image to collective examination and fruitful analysis. Written by both established and emerging scholars in a range of interrelated fields, the chapters deliberately foreground previously overlooked topics as well as unfamiliar disciplinary approaches, to offer a stimulating and carefully developed framework for looking at these ubiquitous phenomena afresh. Where Words and Images Meet opens up for analysis and reflection the forms of attention, practices, skills and assumptions that underlie visual interpretation and meaning-making in the writing of history. By bringing the features of the materials we read and look at into focus, we can grasp more effectively the complex interrelationships involved, and enhance our practice and understanding.