The book New Orleans native Anne Rice called "a landmark oOur indispensable guide to publishing your own photography book just got better. In this revised and updated edition of Publish Your Photography Book, industry insiders Darius D. Himes and Mary Virginia Swanson take budding authors through the publishing process—from concept through production, marketing, and sales—pointing out the many avenues to pursue and pitfalls to avoid. It's packed with information, including interviews and contributions from artists, publishers, designers, packagers, editors, and other industry experts who openly share their publishing experiences. This revised edition features updated case studies and resources sections as well as expanded information on digital publishing platforms, with advice on how to make and market your eBook.

We live in the golden age of the photography book. Since the early 1990s, the number of photography book publishers has continued to grow while technological developments have placed more tools for bookmaking directly in the hands of photographers. For the students and working artists who have chosen photography as their primary means of expression, having their own photography book is seen as a passport to the international photography scene. Yet, few have more than a tentative grasp of the component parts of a book, an understanding of what they want to express, or the know-how needed to get a book published. Publish Your Photography Book is the first book to demystify the process of producing and publishing a book of photographs. Industry insiders Darius D. Himes and Mary Virginia Swanson survey the current landscape of photography book publishing and point out the many avenues to pursue and pitfalls to avoid. This expert guide is organized in six sections covering the rich history of the photo book; anoverview of the publishing industry; an intimate look at the process of making a book; a close review of how to market aphoto book; a section on case studies, built around discussions and interviews with published photographers; and a final section presenting a wealth of resources and information to aid in the understanding of the publishing world. Publish Your Photography Book also includes a number of additional interviews and contributions from industry professionals, including artists, publishers, designers, packagers, editors, and other industry experts who openly share their publishing experiences.

These days, photographs live on hard drives and DVDs in the company of several thousand other images, coming to light on a computer screen only for a short moment, if ever. In that respect our computer is a one-image-at-a-time exhibition of our photographic work. But as photographers, we like to print our best images, frame and show them at home or at an exhibition, or present a collection of prints in a portfolio. This book will guide you through the process of creating a printed and bound portfolio of your photographs, or even a bookstore-quality coffee table book. Learn about every step of the process, from selecting a book publishing service all the way through designing and proofing your photo book. You'll get practical advice on how to work with software provided by services such as Blurb or Viovio, and will learn about relevant concepts of book design, color management, and digital printing. Create your Own Photo Book is the perfect guide for the aspiring amateur photographer as well as the seasoned pro.

An economic and cultural revolution has shaken the photobook world in the last five years: self-publishing. An army of photographers operating as publishers have had an instrumental role in today's photobook renaissance. This book offers a do-it-yourself manual and a survey of key examples of self-published success stories, as well as a self-publishing manifesto and list of resources. The manual portion of this volume offers insight, advice, and rudimentary how-tos for the photographer interested in self-publishing. The survey offers an overview of the contemporary self-publishing landscape and includes a contribution by the Museum of Modern Art's art librarian and bibliographer David Senior, which grounds today's activities in a legacy of artists' books and collectives. The case studies themselves will each illustrate a particular theme and genre of self-publishing (such as diary, documentary, or conceptual object), and will be accompanied by personal testimonies from the artists who created them. Author Bruno Ceschel, founder of the Self Publish, Be Happy organization, provides a rallying cry for all those involved in the contemporary photobook revolution--a moment in which the photobook, in all its infinitesimal manifestations, has never before been so omnipresent in our cultural landscape, nor so critical to the photographer's practice. Self Publish, Be Happy, founded by Bruno Ceschel in 2010, collects, studies, and celebrates self-published photobooks through an ongoing program of workshops, live events, and on/ offline projects. Its London-based collection contains more than two thousand publications. Self Publish, Be Happy is the physical manifestation of a worldwide online community formed of a new, ever-evolving generation of young artists, who experiment, stretch, and play with the medium of photography.

An expanded edition of the essential guide to making a photobook, packed with interviews and contributions from artists, publishers, designers, packagers, editors and other industry experts The first book to demystify the process of producing and publishing a book of photographs, Publish Your Photography Book was first released in 2011 and subsequently sold out two editions. This highly anticipated third edition guides photo-based artists through the steps involved in publishing a book of their work. Industry insiders Darius D. Himes and Mary Virginia Swanson survey the current landscape of photography-book publishing and point out the many avenues to pursue and pitfalls to avoid. This updated, expert guide covers: a history of the photobook; an overview of the publishing industry; the process of bringing your project to book form (with both traditional publishing and self-publishing options); how to market a photography book (including a dialogue with collectors on the limited edition and artist-made books); case studies with published photographers; and valuable resources on production materials, publishing and marketing timelines. Filled with educational wisdom, the book features interviews and contributions from artists, agents, editors, designers, printers, publishers, distributors, booksellers, curators and librarians who share their experiences and provide advice about each step on the path to publication and placement. A removable workbook helps readers address book preparation, draft submission guidelines, production timelines and marketing plans. With over 50 years of combined industry experience and insights, the authors also provide both historical context and contemporary expertise about the international photobook scene, including awards, fairs and grants. Contributors include: Regina Maria Anzenberger, Bob Aufuldish, Julia Borissova, Barbara Bosworth, Frish Brandt, Sonel Breslav, Joan Brookbank, Jane Brown, Jason Burstein, David Campany, Alejandro Cartagena, Bruno Ceschel, Nelson Chan, Lewis Chaplin, Clément Cheroux, David Chickey, Joshua Chuang, Mary DelMonico, Sarah Espenon, Jon Evans, Chloe Ferres, Tricia Gabriel, Susan kae Grant, Kris Graves, Hans Gremmen, Nathalie Herschdorfer, Todd Hido, Deborah Hollis, Tiffany Jones, Christina Labey, Joan Liftin, Michael Lundgren, Lesley A. Martin, Christopher McCall, Lisa McCarty, Clifton Meador, Dan Milnor, Arezoo Moseni, Colleen Mullins, Azu Nwagbogu, Martin Parr, Cecile Poimboeuf-Koizumi, Alan Rapp, Rixon Reed, Ruth R. Rogers, Laura Russell, Markus Schaden, Mike Slack, Søren Solkær, David Solo, Gerhard Steidl, Alan Thomas, Ian van Coller, Anne Wilkes Tucker, Amy Wilkins, Deborah Willis, Denise Wolff, Nancy E. Wolff, Carl Wooley, Sophie Wright and Philip Zimmermann.

In Tavern League, photographer Carl Corey documents a unique and important segment of the Wisconsin community. Our bars are unique micro-communities, offering patrons a sense of belonging. Many of these bars are the only public gathering place in the rural communities they serve. These simple taverns offer the individual the valuable opportunity for face to face conversation and camaraderie, particularly as people become more physically isolated through the accelerated use of the internet’s social networking, mobile texting, gaming, and the rapid-fire of email. This collection of 60 pictures captures the Wisconsin tavern as it is today. Carl Corey’s view is both familiar and undeniably unique, his pictures resonant with anyone who has set foot in a Wisconsin tavern. As the Milwaukee Journal Sentinel’s Mary Louise Schumacher has written, “Carl Corey’s photographs . . . document iconic American places that are taken for granted. . . . They are comforting images, places we know, but also eerie and remote, presented with a sense of romance and nostalgia that suggests they are already past.”