The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country. George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.

Annotation This ninth volume of Public Sculpture of Britain includes all of Staffordshire together with the Black Country (including Wolverhampton, Walsall, Dudley, Brierley Hill, Stourbridge, Smethwick and West Bromwich), an area immensely rich in public sculpture. There are over 450 entries describing many sculptures and groups of sculptures, with illustrations of all the major works. These include statues by F.W. Pomeroy, Charles Birch, Albert Toft, William Theed and Thomas Brock, and notable architectural sculpture by Charles Rossi and H.C. Fehr. Among the twentieth-century sculptors represented are W.J. Bloye, Walter Ritchie and Barbara Hepworth, and there is also work commissioned by local regeneration projects. Significant ecclesiastical works are featured, among them Francis Chantrey & rsquo;s famous sculptures in Lichfield Cathedral. The book has biographies, a glossary of special terms and a comprehensive index.

Public Sculpture of Greater Manchester is a complete catalog and illustrated guide to all of Greater Manchester's public sculptures and monuments. Manchester historian Terry Wyke provides detailed individual entries for each sculpture featured, including information about the artist and the commissioning agent, date of installation, and the sculpture's historical and artistic significance. More than 350 black-and-white photographs reveal the diversity and beauty of Manchester's many public monuments. The eighth volume in Liverpool University Press's highly acclaimed and prize-winning Public Sculpture of Britain series, Public Sculpture of Greater Manchester will be an incomparable resource for both armchair and actual travelers, as well as for English historians and art scholars alike. "These are excellent volumes in an outstanding and continuing series, one of the most original and important such projects under way. They set an international standard for the recording and publication of public sculpture."—Judging panel, 2003 William MB Berger Prize for British Art History, on the Public Sculpture of Britain series

This book of essays on British social and cultural history since the eighteenth century draws attention to relatively neglected topics including personal and collective identities, the meanings of place, especially locality, and the significance of cultures of association. Themes range from rural England in the eighteenth century to the urbanizing society of the nineteenth century; from the Home Front in the First World War to voluntary action in the welfare state; from post 1945 civic culture to the advice columns of teenage magazines and the national press. Various aspects of civil society connect these themes notably: the different identities of place, locality and association that emerged with the growth of an urban environment during the nineteenth century and the shifting landscape of twentieth-century public discourse on social welfare and personal morality. It is of interest that several of the essays take Manchester or Lancashire as their focus.

The remarkable popularity of political likenesses in the Victorian period is the central theme of this book, which explores how politicians and publishers exploited new visual technology to appeal to a broad public. The first study of the role of commercial imagery in nineteenth-century politics, Politics personified shows how visual images projected a favourable public image of politics and politicians. Drawing on a vast and diverse range of sources, this book highlights how and why politics was visualised. Beginning with an examination of the visual culture of reform, the book goes on to study how Liberals, Conservatives and Radicals used portraiture to connect with supporters, the role of group portraiture, and representations of Victorian MPs. The final part of the book examines how major politicians, including Palmerston, Gladstone and Disraeli, interacted with mass commercial imagery. The book will appeal to a broad range of scholars and students across political, social and cultural history, art history and visual studies, cultural and media studies and literature.