Public life - Humanism - Civic humanism - Friendship - Ritual - Alberti - Women in Florence - Family - Everyday life in Florence.

Drawing heavily on contemporary letters and accounts, the author argues against the dominant view that the Florentine family was entirely male-dominated. She finds that women's lives were far less restricted than is commonly thought, and Florentine public life correspondingly more complex. Number 12 in the TMonash Publications in History' series.

The Laboring Classes in Renaissance Florence investigates the part of Renaissance history that refers to the notarial and criminal archives of Florence. The book presents the relations between the laboring classes and the ruling elite. It demonstrates the class struggle that happened in the Renaissance period. The text also describes the progress of class struggle in periods preceding the Industrial Revolution. It discusses the reforms of the political strategies, list of protests, and awareness of artisans and laborers in preindustrial milieu. Another topic of interest is the tax revolt, food riot, and rural rebels’ resistance during the Renaissance period. The section that follows describes the emergence of ethnic ghettos, impact of immigration, and distribution of population. The book will provide valuable insights for historians, students, and researchers in the field of medieval history.

Originally published in 1960, paints a picture of what life was like in Renaissance Florence. It examines private and public life of Florentine citizens, governance and defence; the life of women; domestic arrangements; ritual and ceremony, siege and plague.

To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.