In a world intent on suppressing your true self, would you fade into obscurity or become uncontainable? Rose felt destined to fade, until a chance encounter thrusts her into the world of the supernatural, where she faces an entirely new set of trials. Rose must work with Rift, a young man who conjures portals and clashes with her at every turn. She must also work with Echo, a mute telepath kept in containment for most of her life. Will they survive and defeat the shadow organization known as ORDER, whose mission is to eliminate all supernatural beings, or will they be swallowed up?

Research has uncovered a way to reverse the genetic mutation responsible for mutant powers -- whether the mutant wants it reversed or not. The U.S. government wants to use this procedure to eliminate the so-called "mutant menace" once and for all. But the X-Men soon learn that the true source of the procedure is their old enemy, Sinister. And his agenda is far more complex -- and dangerous -- than even the X-Men can imagine.

Do killers, artists, and terrorists need one another? In Crimes of Art and Terror, Frank Lentricchia and Jody McAuliffe explore the disturbing adjacency of literary creativity to violence and even political terror. Lentricchia and McAuliffe begin by anchoring their penetrating discussions in the events of 9/11 and the scandal provoked by composer Karlheinz Stockhausen's reference to the destruction of the World Trade Center as a great work of art, and they go on to show how political extremism and avant-garde artistic movements have fed upon each other for at least two centuries. Crimes of Art and Terror reveals how the desire beneath many romantic literary visions is that of a terrifying awakening that would undo the West's economic and cultural order. This is also the desire, of course, of what is called terrorism. As the authority of writers and artists recedes, it is criminals and terrorists, Lentricchia and McAuliffe suggest, who inherit this romantic, destructive tradition. Moving freely between the realms of high and popular culture, and fictional and actual criminals, the authors describe a web of impulses that catches an unnerving spirit. Lentricchia and McAuliffe's unorthodox approach pairs Dostoevsky's Crime and Punishment with Martin Scorsese's King of Comedy and connects the real-life Unabomber to the surrealist Joseph Cornell and to the hero of Bret Easton Ellis's bestselling novel American Psycho. They evoke a desperate culture of art through thematic dialogues among authors and filmmakers as varied as Don DeLillo, Joseph Conrad, Francis Ford Coppola, Jean Genet, Frederick Douglass, Hermann Melville, and J. M. Synge, among others. And they conclude provocatively with an imagined conversation between Heinrich von Kleist and Mohamed Atta. The result is a brilliant and unflinching reckoning with the perilous proximity of the impulse to create transgressive art and the impulse to commit violence.

Based on the popular Radio 4 series, Great Lives highlights some of the world's most fascinating and influential characters. Chosen by the show's guests, each biography reveals the life and times of artists, sportsmen, statesmen, authors, monarchs, actors, musicians and scientists, showing why they inspire, what they achieved and how they have influenced the world at large. Discover the intriguing lives of Clement Attlee and Henri Matisse, King Alfred and Samuel Johnson, Tommy Cooper and Robert Kennedy, Robin Day and Edith Wharton, along with many more. From the famous to the obscure, the historical to the contemporary, each biography provides an insight into the character's personality, why they were driven to achieve so much, and separates fact from fiction. With a foreword by the show's presenter, Matthew Parris, Great Lives is an ideal gift for history and biography enthusiasts, and for fans of the Radio 4 series.

The mighty Nexus is charged and empowered to execute the galaxy’s mass murderers, and there is no shortage of targets. But when Nexus delegates some of his docket, the appointed assassins go on a rampage, killing thousands, and Nexus must intervene or become responsible for genocide himself! Collects Nexus #26–#39 (Volume 2).

In this funny and telling portrait of the artist as a young pornographer, Bernard Wolfe chronicles his own unlikely entrance into the world of letters. The year was 1936, and Depression laden America had no great need for a Yale Phi Bete whose primary talent was for words. After working variously as a secretary–bodyguard for Leon Trotsky in Mexico, a cataloger of the Irving Fisher papers, and a hopelessly inept drill–grinder, Wolfe landed his first professional writing job: turning out piecework porn at $2.00 a page for an Oklahoma millionaire. He credited his pornographic efforts with teaching him to write to specified lengths while facing deadlines: "I acquired the work discipline of a professional writer, capable of a solid daily output."