Provides a biography on Ed Gein, the Wisconsin serial killer responsible for various atrocities, and offers an analysis of his psyche and describes how his childhood and mother influenced him to murder.

John Carpenter's Halloween, released on October 25, 1978, marked the beginning of the horror film's most colorful, controversial, and successful offshoot--the slasher film. Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today. This work traces the evolution of the slasher film from 1978 when it was a fledgling genre, through the early 1980s when it was one of the most profitable and prolific genres in Hollywood, on to its decline in popularity around 1986. An introduction provides a brief history of the Grand Guignol, the pre-cinema forerunner of the slasher film, films such as Psycho and The Texas Chainsaw Massacre, and cinematic trends that gave rise to the slasher film. Also explained are the slasher film's characteristics, conventions, and cinematic devices, such as the "final girl," the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the killer. The chapters that follow are devoted to the years 1978 through 1986 and analyze significant films from each year. The Toolbox Murders, When a Stranger Calls, the Friday the 13th movies, My Bloody Valentine, The Slumber Party Massacre, Psycho II, and April Fool's Day are among those analyzed. The late 90s resurrection of slasher films, as seen in Scream and I Know What You Did Last Summer, is also explored, as well as the future direction of slasher films.

A monster is on the loose. And he has a sidekick. Agent Abby Kane believes the Monster is doing whatever it takes to protect his criminal app enterprise, even if it means going on a gruesome killing spree. To stop him and his team, Abby must go on the offensive, but doing so risks making her family a target. To complicate matters, someone from her partner's past has returned, and he has every intention of stopping her. Can Abby put an end to the Monster’s rampage? Can she keep her family safe? Good Bad Psycho is book three in the heart-pounding Fury trilogy.

In the Oregon coastal hamlet of Deception Bay stands a mysterious lodge. Some call it the Colony; others whisper that it’s a cult. To the women who live there, it’s a refuge. But a killer knows their secrets—and will make sure they never feel safe again . . . WICKED GAME Twenty years after Becca Hudson’s friend, Jessie, vanished from St. Elizabeth’s high school, a body is unearthed on school grounds. Far from solving the mystery, the discovery unleashes a string of new, horrible accidents. Is it coincidence—or has Jessie's murderer returned to finish what was started years ago? WICKED LIES Laura Adderley didn't plan to get pregnant, though she'll do anything to protect her baby. But now a reporter is asking questions about the lodge. And while he figures out Laura's connection to the story, Laura can sense a psychopath bent on her destruction . . . SOMETHING WICKED Detective Savannah Dunbar just wants to wrap up paperwork before taking medical leave. But her department's investigation into a double homicide has suddenly become personal. There are disturbing rumors about the Colony, its matriarch, and its history. Yet Savannah knows they’re no match for the wicked truth . . . WICKED WAYS Elizabeth Gaines Ellis wants to believe she’s just an ordinary suburban wife and mother. Yet for months, she’s worried that she's the cause of a series of brutal deaths. No one takes her seriously—except the private investigator prying into her past. But others have secrets too, and a relentless urge to kill without remorse . . .