"[This book] opens a window into the process of psycholinguistics, pulling together classic and cutting-edge research from a number of different areas to provide an engaging and insightful introduction to the study of language processing. Psycholinguistics 101 is sure to hook students with its enthusiasm as it provides a clear introduction to the modern research in this field." Maria Polinsky, PhD Harvard University How is language represented in the brain? How do we understand ambiguous language? How carefully do we really listen to speakers? How is sign language similar to and different from spoken language? How does having expertise in multiple languages work? Answering these questions and more, Psycholinguistics 101 provides an introduction to how language is stored and processed by mind and brain. The study of psycholinguistics incorporates interdisciplinary research from psychology, linguistics, computer science, neuroscience, and cognitive science. By understanding the processes that underlie language ability, we can help develop more effective ways to teach languages and understand differences in reading abilities. This book introduces the reader to the basic issues in psycholinguistic research, including its history and the methodologies typically employed in these studies. Key topics discussed include information flow, language representation, and sign language.

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What drives people toward their goals? Does motivation come from outside the individual or from within? This is a concise, engaging overview of leading theories and the wide body of research about this core concept in psychology. It draws from a broad spectrum of psychological models and disciplines, and focuses on how various theories of motivation define and examine different motivational attributes, such as rewards and goals. An abundance of real life case examples from the authorís research and life experiences vividly illuminate how various models explain behavior and connect the study of motivation to our daily lives. An entertaining alternative to lengthy and expensive texts on the subject, Motivation 101 is unique in helping readers understand how each theory of motivationóbehavioral, neurobiological, attribution, and other models --views and defines a particular concept within each theory. For example, each modality views the concept of ìrewardî from a different perspective. The book is also distinguished by its multidisciplinary focus, whereby research is drawn not only from different domains of psychology but also from such disciplines as education and business. Additionally, the text considers cultural differences in the study of motivation and collaborative environments, and addresses changing research methodologies. It will be an engaging introduction to the study of motivation for undergraduate courses in psychology and education. Key Features: Provides a concise, engaging overview of motivation that encompasses leading theories and a broad body of research Compares and contrasts different motivation theories including needs-based and cognitive models Draws from research across a wide range of domains within psychology, education, and business Connects the study of motivation to our daily lives through illustrative vignettes and metaphors

What is creativity? How does it work? How does it flourish in individuals and organizations? Now in its second edition, this bestselling introductory text--written by one of the world's leading experts on the psychology of creativity--is completely updated and expanded to reflect the tremendous growth in this field. In a redesigned, reader-friendly format, the text surveys the latest theories and research to provide key information about what we know (and don't know) about creativity including its many definitions and measures. It addresses how creativity operates on individual and social/environmental levels, and the effects and outcomes of the creative mind. This much-praised book is an ideal brief text for courses on creativity in psychology, education, business, and other fields, as well as cross-disciplinary seminars and programs in creativity studies. New to the Second Edition: Completely updated and expanded with new theories and research Restructured to enhance flow of information and ease of use New chapters on measuring creativity, creativity and mental health, creative environments, how creativity is perceived by self and society, and its positive and negative aspects Coverage of new models and frameworks Expanded coverage of creativity and motivation, mental illness, and mood; history of creativity research; the creative process; and neuroscientific theories and approaches Thorough reconceptualization of creativity and personality New content on differences between creativity, imagination, and innovation Expanded coverage of creativity assessment Key Features: Surveys theory, research, and applications of creativity concisely and accessibly Written in an engaging style by a world-renowned creativity expert Ideal for courses on creativity in psychology, education, business, and other fields, as well as cross-disciplinary seminars

This concise overview provides a scientific yet highly accessible introduction to the science of animal cognition. Written for undergraduate college courses as well as any interested reader, it encompasses the history of animal cognition studies, essential theories and methodology, and the latest findings and controversies in animal consciousness and communication. The book challenges myths and preconceived notions about animal cognition by explaining the scientific theories, the perils of anthropomorphism, and the value of knowing a species’ natural history before making assumptions or drawing conclusions. Each chapter includes an Animal Spotlight and a Human Application section. The Animal Spotlight highlights individual animals—the “rock stars” of animal cognition—that have made significant contributions to the field. Reminding us that we too are animals, the Human Application sections connect topics in animal cognition to human behavior and cognition. Additionally, the book provides ideas for readers to conduct their own investigations into animal cognition. Key Features Provides a scientific yet accessible introduction to animal cognition studies Examines the development of the field, its theories and methods, and the latest findings and controversies Addresses animal consciousness, communication, social cognition, and cognitive flexibility Highlights individual animals that have made significant contributions to the field Connects topics in animal cognition to human behavior and cognition Provides ideas for readers to conduct their own investigations into animal cognition

Provides an interdisciplinary overview and critical examination of how individuals are affected by mass media There are few areas of modern social science that are as fiercely debated as media psychology. Written by one of the foremost experts on the topic, this is a concise overview of what is knownóand not knownóabout how individuals are affected by and interact with various forms of mass media. The book critically examines research from cognitive, social, developmental, biological, and evolutionary approaches to psychology and addresses the interplay between media consumption and viewer behavior in such realms as advertising, body image, sex, and violence. Distinguished by its examination of research from a scientifically objective position, the book offers students not only current knowledge of media psychology but also the tools to challenge commonly held assumptions from popular advocacy and ideology. This text cuts across different psychological approaches to studying how individuals are affected by mass media and includes research from criminal justice and sociology. It considers critical debates in media psychology and how debates in science themselves can be influenced by processes such as ìmoral panic.î Written in a lively, accessible manner, the book draws upon engaging examples such as Photoshopped model controversies, dubious advertising practices, and attempts to blame violent crimes on media to illustrate scholarly principles. Throughout, data from research studies is related back toreal-world phenomena such as violence rates, advertising dollars spent, or changes in the news media. Written for upper level undergraduate and graduate students studying media psychology, the text will also be of value to professionals in psychology, sociology and criminal justice as well as individuals involved in public policy as it relates to media effects. Key Features: Offers an objective, interdisciplinary approach to understanding media and behavior Draws from cognitive, social, developmental, and biological psychology, as well as criminal justice research and sociology Challenges the conclusions drawn from research to foster critical thinking Written in a lively, accessible writing style with engaging examples grounded in research About the Author Christopher J. Ferguson, Ph.D. is a clinical psychologist and department chair of psychology at Stetson University in DeLand, FL. He has done extensive research on the effects of media in realms ranging from video game and television violence effects, to body image to advertising effects. He has also examined how methodological issues, researcher expectancies and questionable researcher practices, and societal pressures and incentives can create false positives in media psychology. Clinically, he has done extensive work with criminal justice populations including juvenile offenders, adult inmates and child protective services. Aside from his academic work, Chris is the author of a mystery novel, Suicide Kings, which follows a young woman in Renaissance Florence investigating her motherís death. He has also published a number of short stories, mainly in speculative fiction. He lives near Orlando with his wife and young son.