Psychoanalysis and the Image brings together an influential team of international scholars who demonstrate innovative ways to apply psychoanalytical resources in the study of international modern art and visual representation. Examines psychoanalytic concepts, values, debates and controversies that have been hallmarks of visual representation in the modern and contemporary periods Covers topics including melancholia, sex, and pathology to the body, and parent-child relations Advances theoretical debates in art history while offering substantive analyses of significant bodies of twentieth century art Edited by internationally renowned art historian Griselda Pollock.

This book lays the foundation to the author's widely acclaimed theory of social representations, a theory that re-defines the field of social psychology, its problems, concepts and their symbolic and communicative functions, and that formulates a profoundly interactive study of complex social phenomena.

There has long been a politics around the way in which women are represented, with objection not so much to specific images as to a regime of looking which places the represented woman in a particular relationship to the spectator's gaze. Artists have sometimes avoided the representation of women altogether, but they are now producing images which challenge the regime. How do these images succeed in their challenge ? The Emptiness of the Image offers a psychoanalytic answer. Parveen Adams argues that, despite flaws in some of the details of its arguments, psychoanalytic theory retains an overwhelming explanatory strength in relation to questions of sexual difference and representation. She goes on to show how the issue of desire changes the way we can think of images and their effects. Throughout she discusses the work of theorists, artists and filmmakers such as Helene Deutsch, Catherine MacKinnon, Mary Kelly, Francis Bacon, Michael Powell and Della Grace. The Emptiness of the Image shows how the very space of representation can change to provide a new way of thinking the relation between the text and the spectator. It shows how psychoanalytic theory is supple enough to slide into and transform the most unexpected situations.

In the Image of God is a compilation of lectures by Stanley Leavy, a psychoanalyst approaching retirement, reflecting on his experience as a follower of Freud and his method and also as a lifelong, faithful Episcopalian. The overarching idea linking the individual lectures is Leavy's belief that "the deliberate study of the operations of the mind must yield results that are not just compatible with religious faith but amplify it," eschewing the faith versus science argument for a more inclusive worldview.

Psychoanalytic therapy is distinguished by its immersion in the world of the experiencing subject. In The Psychoanalytic Vision, Frank Summers argues that analytic therapy and its unique epistemology is a worldview that stands in clear opposition to the hegemonic cultural value system of objectification, quantification, and materialism. The Psychoanalytic Vision situates psychoanalysis as a voice of the rebel, affirming the importance of the subjective in contrast to the culture of objectification. Founded on phenomenological philosophy from which it derives its unique epistemology and ethical grounding, psychoanalytic therapy as a hermeneutic of the experiential world has no role for reified concepts. Consequently, fundamental analytic concepts such as "the unconscious" and "the intrapsychic," are reconceptualized to eliminate reifying elements. The essence of The Psychoanalytic Vision is the freshness of its theoretical and clinical approach as a hermeneutic of the experiential world. Fundamental clinical phenomena, such as dreams, time, and the experience of the other, are reformulated, and these theoretical shifts are illustrated with a variety of vivid case descriptions. The last part of the book is devoted to the surreptitious role beliefs and values of contemporary culture play in many forms of psychopathology. For clinicians, The Psychoanalytic Vision offers a fresh clinical theory based on the consistent application of the subjectification of human experience, and for scholars, a worldview that provides the framework for a potentially fruitful cross-fertilization of ideas with cognate disciplines.

This text is about the histories of photography and psychoanalysis. It describes how they came together in the 20th century to revolutionize political propaganda and sales messages. It references the works of several 20th Century and contemporary photographers including: Edward Steichen, Brian Duffy, Helmut Newton, Henri Cartier-Bresson, Nan Goldin, Gregory Crewdson, Larry Clark, and Wang Qingsong. It includes a chapter summarizing and critiquing many of the thoughts of the philosopher and activist Susan Sontag, as well as being completely up-to-date with a chapter about photographers Cindy Sherman and Miru Kim. The book demonstrates how images may be understood, and interpreted, using the ideas of Freud, Jung and Lacan. This book helps you understand the psychological impact of images. You are introduced to various characters who influenced the development of both photography and psychoanalysis during the 19th and 20th centuries, and you are helped to appreciate the impact they continue to have today. Psychological and photographic concepts are added into the narrative until it becomes possible to look at examples of contemporary advertising images and campaigns using appropriate tools.

A collection of essays by internationally recognised and respected Lacanian analysts and theoreticians, Stupidity and Psychoanalysis thinks about how we can understand stupidity as a specific and necessary psychoanalytic encounter.