This book offers a refreshing new look at the Book of Psalms, presenting an analysis of the postmodern elements found in its poetry, and, as such, will be of special interest to scholars in the field of literature and Bible studies. The book highlights the continued relevance of the Book of Psalms as a source of sustenance and comfort, and as an enduring practical handbook for life.

Uniting the lyrical songs of Israel with their literary legacy, this book comprises renditions of the Psalms by 25 renowned poets from the 16th to the 20th century.

The human experience is an intimate, tough, and, at times, hilarious conversation with what is familiar and what is mystery. Poetry at its best turns this conversation into art and teaches by example how to employ language creatively and courageously--even coyly--in exploring the full range of human response to whatever life may deliver. Certainly the biblical Psalms set the highest of standards in this regard. In Opening King David, Davis takes aim at making contemporary poems in conversation with the Psalms; his personal, cultural, and natural surroundings; and the wonder and mess of his own soul. As a painter with all colors at his disposal, Davis writes with the full spectrum of his available vocabulary, sometimes reaching for the glorious ineffable, at other times bluntly telling it like it--darkly--is. Neither devotional nor inspirational nor religious, these human poems take God seriously and honor our common struggle toward what Saint Paul calls "the measure of the stature of the fullness of Christ."