One of the critical, ongoing discussions in Septuagint Studies today concerns the issue of how texts were understood by their translators, and how those translations are able to provide the modern reader with clues to that original interpretation. In Psalms 38 and 145 of the Old Greek Version, Randall X. Gauthier provides a word by word, sentence by sentence, commentary on Psalms 38 and 145 in the Septuagint (LXX) version, or more accurately, the Old Greek (OG) version. Specifically, this study attempts to understand the semantic meaning of these psalms at the point of their inception, or composition, i.e. as translated literary units derivative of a presumed Semitic Vorlage.

Much can be learned about a translation’s linguistic and cultural context by studying it as a text, a literary artifact of the culture that produced it. However, its nature as a translation warrants a careful approach, one that pays attention to the process by which its various features came about. In Characterizing Old Greek Deuteronomy as an Ancient Translation, Jean Maurais develops a framework derived from Descriptive Translation Studies to bring both these aspects in conversation. He then outlines how the Deuteronomy translator went about his task and provides a characterization of the work as a literary product.

In Style and Context of Old Greek Job, Marieke Dhont offers a new understanding of the linguistic and stylistic diversity in the Septuagint corpus. To this end, the author innovatively uses Polysystem Theory, which has been developed in the field of modern literary studies. After discussing the appropriateness of a systemic approach to understanding Jewish-Greek literature, the author reflects on the Jewishness of Greek-language texts. Dhont then presents a thorough literary analysis of the Old Greek version of the book of Job. On this basis, she explains the dynamics that produced the translation of Old Greek Job and its position within the development of a Jewish-Greek literary tradition.

The Septuagint is the term commonly used to refer to the corpus of early Greek versions of Hebrew Scriptures. The collection is of immense importance in the history of both Judaism and Christianity. The renderings of individual books attest to the religious interests of the substantial Jewish population of Egypt during the Hellenistic and Roman periods, and to the development of the Greek language in its Koine phase. The narrative ascribing the Septuagint's origins to the work of seventy translators in Alexandria attained legendary status among both Jews and Christians. The Septuagint was the version of Scripture most familiar to the writers of the New Testament, and became the authoritative Old Testament of the Greek and Latin Churches. In the early centuries of Christianity it was itself translated into several other languages, and it has had a continuing influence on the style and content of biblical translations. The Oxford Handbook of the Septuagint features contributions from leading experts in the field considering the history and manuscript transmission of the version, and the study of translation technique and textual criticism. The collection provides surveys of previous and current research on individual books of the Septuagint corpus, on alternative Jewish Greek versions, the Christian 'daughter' translations, and reception in early Jewish and Christian writers. The Handbook also includes several conversations with related fields of interest such as New Testament studies, liturgy, and art history.

This volume presents original research on the historical context, narrative and wisdom books, anthropology, theology, language, and reception of the Septuagint, as well as comparisons of the Greek translations with other ancient versions and texts.

In this book, Nathan C. Johnson offers the first full-scale study of David traditions in the Gospel of Matthew's story of Jesus's death. He offers a solution to the tension between Matthew's assertion that Jesus is the Davidic messiah and his humiliating death. To convince readers of his claim that Jesus was the Davidic messiah, Matthew would have to bridge the gap between messianic status and disgraceful execution. Johnson's proposed solution to this conundrum is widely overlooked yet refreshingly simple. He shows how Matthew makes his case for Jesus as the Davidic messiah in the passion narrative by alluding to texts in which David, too, suffered. Matthew thereby participates in a common intertextual, Jewish approach to messianism. Indeed, by alluding to suffering David texts, Matthew attempts to turn the tables of the problem of a crucified messiah by portraying Jesus as the Davidic messiah not despite, but because of his suffering.

Psalms 146-150, sometimes called “Final Hallel” or “Minor Hallel”, are often argued to have been written as a literary end of the Psalter. However, if sources other than the Hebrew Masoretic Text are taken into account, such an original unit of Psalms 146-150 has to be questioned. “The End of the Psalter” presents new interpretations of Psalms 146-150 based on the oldest extant evidence: the Hebrew Masoretic Text, the Hebrew Dead Sea Scrolls, and the Greek Septuagint. Each Psalm is analysed separately in all three sources, complete with a translation and detailed comments on form, intertextuality, content, genre, and date. Comparisons of the individual Psalms and their intertextual references in the ancient sources highlight substantial differences between the transmitted texts. The book concludes that Psalms 146-150 were at first separate texts which only in the Masoretic Text form the end of the Psalter. It thus stresses the importance of Psalms Exegesis before Psalter Exegesis, and argues for the inclusion of ancient sources beyond to the Masoretic Text to further our understanding of the Psalms.