Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

The neutrality maintained by Turkey during most of the Second World War enabled it to rescue thousands of Jews from the Holocaust in the Nazi-occupied or collaborating countries of Europe. This book shows how in France, the Turkish consuls in Paris and Marseilles intervened to protect Turkish Jews from application of anti-Jewish laws introduced both by the German occupying authorities and the Vichy government and rescued them from concentration camps, getting them off trains destined for the extermination chambers in the East, and arranging train caravans and other special transportation to take them through Nazi-occupied territory to safety in Turkey. 'an important and unique addition to the vast scholarship available on that tragic era' Rabbi Abraham Cooper

Both an expert and a collector, James Geary has devoted his life to aphorisms-and the last few years to organizing, indexing, and even translating them. The result is Geary's Guide, featuring aphorists like Voltaire, Twain, Shakespeare, Nietzsche, Woody Allen, Muhammad Ali, Emily Dickinson, and Mae West, as well as international practitioners appearing in English for the first time. But it is more than just a conventional anthology. It is also an encyclopedia, containing brief biographies of each author in addition to a selection of his or her aphorisms. The book is a field guide, too, with aphorists organized into eight different "species," such as Comics, Critics & Satirists; Icons & Iconoclasts; and Painters & Poets. The book's two indexes-by author and by subject-make it easily searchable, while its unique organizational structure and Geary's lively biographical entries set it apart from all previous reference works. A perfect follow-up to Geary's New York Times bestseller The World in a Phrase, Geary's Guide is eminently suitable for browsing or for sustained reading. A comprehensive guide to our most intimate, idiosyncratic literary form, the book is an indispensable tool for writers and public speakers as well as essential reading for all language lovers.

This book examines the history of Belgium’s annexation of the former German territories of Eupen and Malmedy during the interwar period. Focusing on Herman Baltia’s transitory regime and Belgium’s ambivalence about the fate of its new territories, the book charts the strained relations between Baltia’s regime and Brussels, the regime’s path to dissolution, and the failed retrocession of the territory to Germany. Through close analysis of primary source material, Vincent O’Connell investigates the efforts of Baltia’s provisional government to assimilate the region’s inhabitants into Belgium. The ultimate failure of that assimilation, he argues, may be traced back not only to incessant pro-German agitation, but to flawed Belgian policy from the outset. Framed in the context of a post-Versailles Europe, the book offers an interesting case study not only of the ebbs and flows of international politics across the frontier zones of Europe in the interwar years, but of how populations react to changes in national sovereignty.

"One of the most important devotional works of the Middle Ages and Renaissance, this book provided a major source for both visual and literary artists, as well as for preachers, contemplatives, and believes. The amazing number of manuscript sources attests to its far-reaching influence. Gospel accounts of Christ's life are supplemented by apocryphal material from a variety of sources, to provide in an inviting style a highly readable biography. The translation brings to life the pathos, humor, and wisdom of Caulibu's book while maintaining impeccable scholarship. The volume is further enhanced by eight full-color plates selected from the miniatures in MS 410, Corpus Christi College, Oxford."