This innovative study of the Fourth Gospel introduces important new perspectives on synoptic problems and challenges many theories about the nature of the Gospel of John’s sources and composition practices. Its analysis shows that the author of John knew a written version of Mark’s gospel, had strong theological objections to how Mark depicted the nature and story of Jesus and the gospel message, and composed his gospel as a theologically corrected rewriting of Mark’s, using the latter’s gospel as a narrative guideline for his own composition. By focusing on several seemingly different stories in Mark and John that deal with issues relating to how Jesus proved his authority, the book places each of the incidents in their narrative, sequential, and theological context, demonstrating that John knew Mark’s specific stories in the same sequential order that appeared in Mark, and that John’s stories represented theologically altered rewrites of the ones in Mark. The study examines the nature of John’s objections to Mark, what changes John would want to make to Mark, and the formulaic editorial techniques John used to transform Mark’s gospel into John’s gospel. Of particular interest, it shows how John transformed Mark’s stories about proof through exorcisms into Johannine stories about proof through words.

The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave

Draws on St. Paul's letters and other early sources to reveal the apostles' sharply competing ideas about the significance of Jesus and his teachings while demonstrating how St. Paul independently shaped Christianity as it is known today.

Cliffe Knechtle offers clear, reasoned and compassionate responses to the tough questions skeptics ask.

The resurrection of Jesus is thoroughly explored, using extra-canonical sources to fill in the blanks. Original.

Evidence Unseen is the most accessible and careful though through response to most current attacks against the Christian worldview.

Written by an L. A. County homicide detective and former atheist, Cold-Case Christianity examines the claims of the New Testament using the skills and strategies of a hard-to-convince criminal investigator. Christianity could be defined as a “cold case”: it makes a claim about an event from the distant past for which there is little forensic evidence. In Cold-Case Christianity, J. Warner Wallace uses his nationally recognized skills as a homicide detective to look at the evidence and eyewitnesses behind Christian beliefs. Including gripping stories from his career and the visual techniques he developed in the courtroom, Wallace uses illustration to examine the powerful evidence that validates the claims of Christianity. A unique apologetic that speaks to readers’ intense interest in detective stories, Cold-Case Christianity inspires readers to have confidence in Christ as it prepares them to articulate the case for Christianity.