Between World War I and World War II, African Americans' quest for civil rights took on a more aggressive character as a new group of black activists challenged the politics of civility traditionally embraced by old-guard leaders in favor of a more forceful protest strategy. Beth Tompkins Bates traces the rise of this new protest politics--which was grounded in making demands and backing them up with collective action--by focusing on the struggle of the Brotherhood of Sleeping Car Porters (BSCP) to form a union in Chicago, headquarters of the Pullman Company. Bates shows how the BSCP overcame initial opposition from most of Chicago's black leaders by linking its union message with the broader social movement for racial equality. As members of BSCP protest networks mobilized the black community around the quest for manhood rights and economic freedom, they broke down resistance to organized labor even as they expanded the boundaries of citizenship to include equal economic opportunity. By the mid-1930s, BSCP protest networks gained platforms at the national level, fusing Brotherhood activities first with those of the National Negro Congress and later with the March on Washington Movement. Lessons learned during this era guided the next generation of activists, who carried the black freedom struggle forward after World War II.

When the U.S.-Korea military alliance began to deteriorate in the 2000s, many commentators blamed "anti-Americanism" and nationalism, especially among younger South Koreans. Challenging these assumptions, this book argues that Korean activism around U.S. relations owes more to transformations in domestic politics, including the decentralization of government, the diversification and politics of civil society organizations, and the transnationalization of social movements.

The Politics of Protest offers both a historical overview and an analytical framework for understanding social movements and political protest in American politics. Meyer shows that protest movements, an integral part of our nation's history from the Boston Tea Party to the Civil Rights Movement, are hardly confined to the distant past. He argues that protest movements in America reflect and influence mainstream politics and that in order to understand our political system--and our social and political world--we need to pay attention to protest. The Politics of Protest opens with a short history of social movements in the United States, beginning with the development of the American Republic and outlining how the American constitutional design invites protest movements to offer continual challenges. It then discusses the social impulse to protest, considers the strategies and tactics of social movements, looks at the institutional response to protest, and finally examines the policy ramifications. Each chapter includes a brief narrative of a key movement that illustrates the topic covered in that chapter. New to This Edition * A new chapter on media and movements (Chapter 6: Protest and Communication: New and Old Media) that examines how media has changed in the past two decades, focusing in particular on online activism * New discussions on such topics as the election of a black president, the emergence of the Tea Party movement, and the intensifying conflict regarding immigration policy * More material on the successes of the gay and lesbian movement in promoting policy changes to marriage at the state level and in national military service

In June 1990, Ecuador saw the first major indigenous rebellion within its borders since the colonial era. For weeks, indigenous protesters participated in marches, staged demonstrations, seized government offices, and blockaded roads. Since this insurrection, indigenous movements have become increasingly important in the fight against Latin American Neoliberalism. Roberta Rice's New Politics of Protest seeks to analyze when, where, and why indigenous protests against free-market reforms have occurred in Latin America. Comparing cases in Ecuador, Peru, Bolivia, and Chile, this book details the emergence of indigenous movements under and against Neoliberal governments. Rice uses original field research and interviews with indigenous leaders to examine long-term patterns of indigenous political activism and overturn accepted theories on the role of the Indian in democracy. A useful and engaging study, The New Politics of Protest seeks to determine when indigenous movements become viable political parties. It covers the most recent rounds of protest to demonstrate how a weak and unresponsive government is more likely to experience revolts against unpopular reforms. This influential work will be of interest to scholars of Latin American politics and indigenous studies as well as anyone studying oppressed peoples who have organized nationwide strikes and protests, blocked economic reforms, toppled corrupt leaders, and even captured presidencies.

NEW YORK TIMES BESTSELLER • A celebration of American history through the music that helped to shape a nation, by Pulitzer Prize winner Jon Meacham and music superstar Tim McGraw “Jon Meacham and Tim McGraw form an irresistible duo—connecting us to music as an unsung force in our nation's history.”—Doris Kearns Goodwin Through all the years of strife and triumph, America has been shaped not just by our elected leaders and our formal politics but also by our music—by the lyrics, performers, and instrumentals that have helped to carry us through the dark days and to celebrate the bright ones. From “The Star-Spangled Banner” to “Born in the U.S.A.,” Jon Meacham and Tim McGraw take readers on a moving and insightful journey through eras in American history and the songs and performers that inspired us. Meacham chronicles our history, exploring the stories behind the songs, and Tim McGraw reflects on them as an artist and performer. Their perspectives combine to create a unique view of the role music has played in uniting and shaping a nation. Beginning with the battle hymns of the revolution, and taking us through songs from the defining events of the Civil War, the fight for women’s suffrage, the two world wars, the Great Depression, the civil rights movement, the Vietnam War, and into the twenty-first century, Meacham and McGraw explore the songs that defined generations, and the cultural and political climates that produced them. Readers will discover the power of music in the lives of figures such as Harriet Tubman, Franklin Roosevelt, Eleanor Roosevelt, and Martin Luther King, Jr., and will learn more about some of our most beloved musicians and performers, including Marian Anderson, Elvis Presley, Sam Cooke, Aretha Franklin, Bob Dylan, Duke Ellington, Carole King, Bruce Springsteen, and more. Songs of America explores both famous songs and lesser-known ones, expanding our understanding of the scope of American music and lending deeper meaning to the historical context of such songs as “My Country, ’Tis of Thee,” “God Bless America,” “Over There,” “We Shall Overcome,” and “Blowin’ in the Wind.” As Quincy Jones says, Meacham and McGraw have “convened a concert in Songs of America,” one that reminds us of who we are, where we’ve been, and what we, at our best, can be.

"That a marketing campaign showcasing Kaepernick could roil emotions and dominate headlines testifies to the electrifying nature of his historic crusade against inequality generally and police brutality particularly. Kaepernick began protesting these matters on the field of play in August 2016, when he was a San Francisco 49ers' quarterback, doing so initially by sitting and later by kneeling during the national anthem. Others followed suit. These gestures incited a national furor, and several of this volume's essays were originally published during that tumultuous period. [...] All of the essays offer perceptive insights about the protests; collectively, they provide a panoramic view of them; most importantly, they show, as does the Introduction, that this tale, with its vast cast and varied scenes, with its knotty conundrums that could not be undone perhaps by any means, was but the latest chapter in a still-grander saga, that of black Americans' fight for freedom, an epic struggle that has necessitated many sacrificing some and some sacrificing everything"--Introduction.

In the late 1990s Angels in America,Tony Kushner’s epic play about homosexuality and AIDS in the Reagan era, toured the country, inspiring protests in a handful of cities while others received it warmly. Why do people fight over some works of art but not others? Not Here, Not Now, Not That! examines a wide range of controversies over films, books, paintings, sculptures, clothing, music, and television in dozens of cities across the country to find out what turns personal offense into public protest. What Steven J. Tepper discovers is that these protests are always deeply rooted in local concerns. Furthermore, they are essential to the process of working out our differences in a civil society. To explore the local nature of public protests in detail, Tepper analyzes cases in seventy-one cities, including an in-depth look at Atlanta in the late 1990s, finding that debates there over memorials, public artworks, books, and parades served as a way for Atlantans to develop a vision of the future at a time of rapid growth and change. Eschewing simplistic narratives that reduce public protests to political maneuvering, Not Here, Not Now, Not That! at last provides the social context necessary to fully understand this fascinating phenomenon.