Protestants on Screen explores the Protestant contributions to American and European film from the silent era to the present day. The authors analyze how Protestant filmmakers, beliefs, theology, symbols, sensibilities, and cultural patterns have shaped the history of film. Challenging the stereotype of Protestants as world-denouncing-and-defying puritans and iconoclasts who stood in the way of film's maturation as an art, the authors contend that Protestants were among the key catalysts in the origins and development of film, bringing an identifiably Protestant aesthetic to the medium. The essays in this volume track key Protestant themes like faith and doubt, sin and depravity, biblical literalism, personal conversion and personal redemption, holiness and sanctification, moralism and pietism, Providence and secularism, apocalypticism, righteousness and justice, religion and race, the priesthood of all believers and its offshoots-democratization and individualism. Protestants, the essays in this volume demonstrate, helped birth and shape the film industry and harness the power of motion pictures for spiritual instruction, edification, and cultural influence.

Religious Communication Association's Book of the Year Hollywood and Christianity often seem to be at war. Indeed, there is a long list of movies that have attracted religious condemnation, from Gone with the Wind with its notorious "damn," to The Life of Brian and The Last Temptation of Christ. But the reality, writes William Romanowski, has been far more complicated--and remarkable. In Reforming Hollywood, Romanowski, a leading historian of popular culture, explores the long and varied efforts of Protestants to influence the film industry. He shows how a broad spectrum of religious forces have played a role in Hollywood, from Presbyterians and Episcopalians to fundamentalists and evangelicals. Drawing on personal interviews and previously untouched sources, he describes how mainline church leaders lobbied filmmakers to promote the nation's moral health and, perhaps surprisingly, how they have by and large opposed government censorship, preferring instead self-regulation by both the industry and individual conscience. "It is this human choice," noted one Protestant leader, "that is the basis of our religion." Tensions with Catholics, too, have loomed large--many Protestant clergy feared the influence of the Legion of Decency more than Hollywood's corrupting power. Romanowski shows that the rise of the evangelical movement in the 1970s radically altered the picture, in contradictory ways. Even as born-again clergy denounced "Hollywood elites," major studios noted the emergence of a lucrative evangelical market. 20th Century-Fox formed FoxFaith to go after the "Passion dollar," and Disney took on evangelical Philip Anschutz as a partner to bring The Chronicles of Narnia to the big screen. William Romanowski is an award-winning commentator on the intersection of religion and popular culture. Reforming Hollywood is his most revealing, provocative, and groundbreaking work on this vital area of American society.

Americans in the 1950s faced the challenge of negotiating the new medium's place in the home and in American culture in general. Using the American Protestant experience of the introduction of television, Rosenthal illustrates the importance of the interplay between a new medium and its users.

Few cultural issues alarm conservative Protestant families and communities like the seemingly ubiquitous threat of pornography. Thanks to widespread access to the internet, conservative Protestants now face a reality in which every Christian man, woman, and child with a smartphone can access limitless pornography in their bathroom, at work, or at a friend's sleepover. Once confident of their victory over pornography in society at large, conservative Protestants now fear that "porn addiction" is consuming even the most faithful. How are they adjusting to this new reality? And what are its consequences in their lives? Drawing on over 130 interviews as well as numerous national surveys, Addicted to Lust shows that, compared to other Americans, pornography shapes the lives of conservative Protestants in ways that are uniquely damaging to their mental health, spiritual lives, and intimate relationships. Samuel L. Perry demonstrates how certain pervasive beliefs within the conservative Protestant subculture unwittingly create a context in which those who use pornography are often overwhelmed with shame and discouragement, sometimes to the point of depression or withdrawal from faith altogether. Conservative Protestant women who use pornography feel a "double shame" both for sinning sexually and for sinning "like a man," while conflicts over pornography in marriages are escalated by patterns of lying, hiding, blowing up, or threats of divorce. Addicted to Lust shines new light on one of the most talked-about problems facing conservative Christians.

The Failure of Denominationalism and the Future of Christian Unity One of the unforeseen results of the Reformation was the shattering fragmentation of the church. Protestant tribalism was and continues to be a major hindrance to any solution to Christian division and its cultural effects. In this book, influential thinker Peter Leithart critiques American denominationalism in the context of global and historic Christianity, calls for an end to Protestant tribalism, and presents a vision for the future church that transcends post-Reformation divisions. Leithart offers pastors and churches a practical agenda, backed by theological arguments, for pursuing local unity now. Unity in the church will not be a matter of drawing all churches into a single, existing denomination, says Leithart. Returning to Catholicism or Orthodoxy is not the solution. But it is possible to move toward church unity without giving up our convictions about truth. This critique and defense of Protestantism urges readers to preserve and celebrate the central truths recovered in the Reformation while working to heal the wounds of the body of Christ.

The Routledge Companion to Religion and Film brings together a lively and experienced team of contributors to investigate the ways in which this exciting discipline is developing.