Damion West was the boy who stole my young heart and then broke it. That was a long time ago though and I’m not a girl susceptible to hot boys with big egos who just happen to kiss well anymore. Nor have I kept up with Damion West. Okay, I have. Everyone has. He's the heir to West Enterprises. Everyone knows Damion West. Just not like I do. But that's another story better left untold. It’s hard sometimes to remember that I’m no slouch myself. Confidence isn't exactly my forte but I fake it well. I’ve worked with my parents’ real estate firm catering to the rich and famous for years and I'm now one of the top agents in the country. Blue Enterprises is the name of our firm, which is also my name. Blue. Alana Blue. And now I'm on TV, the star of Selling in New York. But every family has secrets. Damion's does and mine does as well. That's why I have the TV show I didn't really want. Nothing is real. Except him. Damion. He's real. So is my past with him. But it's the past. Then one day I get called to a meeting by the studio head, it's all very secretive. Because it's not the studio at all, or actually, it is. Because his family owns everything. That's right. The meeting is with him. It's with Damion West. And Lord help me, he's now sexier, and more arrogant than ever. Also it turns out that what Damion wants from me isn't as simple as a real estate contract. But it's a contract all right.

Wives of the Leopard explores power and culture in a pre-colonial West African state whose army of women and practice of human sacrifice earned it notoriety in the racist imagination of late nineteenth-century Europe and America. Tracing two hundred years of the history of Dahomey up to the French colonial conquest in 1894, the book follows change in two central institutions. One was the monarchy, the coalitions of men and women who seized and wielded power in the name of the king. The second was the palace, a household of several thousand wives of the king who supported and managed state functions. Looking at Dahomey against the backdrop of the Atlantic slave trade and the growth of European imperialism, Edan G. Bay reaches for a distinctly Dahomean perspective as she weaves together evidence drawn from travelers' memoirs and local oral accounts, from the religious practices of vodun, and from ethnographic studies of the twentieth century. Wives of the Leopard thoroughly integrates gender into the political analysis of state systems, effectively creating a social history of power. More broadly, it argues that women as a whole and men of the lower classes were gradually squeezed out of access to power as economic resources contracted with the decline of the slave trade in the nineteenth century. In these and other ways, the book provides an accessible portrait of Dahomey's complex and fascinating culture without exoticizing it.

This book does not claim absolute truths, but it speaks for those who can no longer speak for themselves by the histories they witnessed, wrote about, and which defined their ancestors and descendants, including the most powerful woman that ever lived – Countess Elizabeth Bathory. She tried to change the world; she paradoxically succeeded and failed. But what drove her? What did she know, we do not? What is her history? To begin to understand all this, one must travel back in time to when it began, when truth first became obscured, and when European society – Western culture - went horribly wrong. It is why her world was the way it was. Today, historiological “truths” of European Medieval Dark Ages, at best, exist as dim flashes of information in ancient manuscripts. A very interconnected European medieval history has much more, but inconvenient historiological information to informs us of events, names, places, and dates, but like a giant, complicated jigsaw puzzle. Unfortunately, many pieces are still missing, none more so than that of Carpathia. Consequently, an incomplete, theoretical picture of historical reality remains. There’s a reason for it. Throughout history, Europeans struggled for Humility, Humanity and Liberty, but only Carpathian Ungars maintained and struggled to keep it for more than a millennium – from about 600 to 1711. Their history has gone missing, supplanted by myths. Their greatest leaders are caricatures of Gothic horror literature, and their greatest traitors are their heroes. Their monuments are everywhere. Carpathia’s history does not exist in Western consciousness. What is it about Carpathia we are not supposed to know? Its missing medieval jigsaw puzzle pieces, when liberated from obscure archives, then reassembled, and inserted into the macro context of centuries, however, allows us to understand why. The period covered in this book is roughly seven centuries. It’s a litany of tragic moral failures. It begins with spiritual leaders who consistently failed in their moral duty because they misguidedly assumed a Roman imperial culture from the outset. It ends with the creation of a repressed imperial Ungaria and the supposed “first kings of Hungary.” Events within this book’s pages cover most of the first great pendulum swing of “European Cultural Chrysalis” – it’s Metamorphosis of Odium.” It explores the complexity of why, and how European culture became one of intolerance and hatred which tried to extinct all non-conformists within their divine Medieval European World Order. It explains why it was perfectly ethical and moral, and why society believed in the Resurrection of all things good after the final Apocalypse – this order’s primary vision. Resisting all this, of course, were all Carpathian cultures, the last being the Slavic-Turkic Ungars. To the Medieval European World Order, they, like the Caliphates, were the greatest heretics and heathens of the Dark Ages. These civilisations were the last refuge of Life, Liberty, and the Pursuit of Happiness in a world which had none. It’s a story of us.

In a brilliantly imaginative blend of military, social and diplomatic history, Norman Longmate retells our island story from the perspective of its defenders, in a narrative which stretches from the Celtic tribes who unsuccessfully fought against Ceasar to the great seabourne defence against the Armada of Philip of Spain. He has gone back to the original sources and investigated the original battlegrounds and weak spots in Britain's defences. But the real strength of his book is its seamless narrative of history, which uncovers the truth behind the legends. A mass of solidly researched fact, not readily found elsewhere, is seasoned with lively, humorous and occassionally gruesome anecdote. The result, providing at once an invaluable sourcebook for the specialist and an enthralling narrative for the general reader, is by far the most comprehensive and accessible history of England versus invasion ever published.