Jazz Masters is a werewolf with a day job. Living in fear of the monster that lives inside her, she’s created a safe, if lonely world where she can control her darker half. That world comes crashing down around her when she crosses paths with a pack of werewolves who recognize what she is – a rogue she-wolf with no pack to protect her. Threatened and afraid for her life Jazz turns to the only group that might be able to help her – the Guardians. One look at Jazz is all it takes for the Guardian’s resident risk-taker, pilot, and playboy Jason Waters to know he’s interested. Not even the revelation that she’s a werewolf deters him from his new mission – Protecting Jazz from everything and everyone, including her dark side. With the pack closing in, Jazz must make a choice – surrender to her fear or fight for her life and a chance at love with a man who’d die to protect her. **Publisher’s Note – This book was previously released as On Jason’s Watch Keywords: Alpha Hero, protector, woman in peril, werewolf,

Gareth Harkness is a supernatural predator born to hunt his natural enemy – vampires. Hunting isn’t his job, it’s his calling, one that doesn’t leave a lot of time for a normal life. He’s got a mission instead of a mortgage, and the only woman in his life is the nameless beauty who haunts his dreams. Kyra Robinson is too pragmatic to believe in magic, monsters, or things that go bump in the night. She’s forced to change her attitude when a random encounter at her Vancouver nightclub puts her in the sights of a vampire who wants her for his own. Kyra is desired by two men, the hunter, and the killer. After a lifetime of protecting herself, she’ll have to put her heart, and her life, in the hands of a man just as dangerous as the creature hunting her. **Publisher’s Note – This book was previously released as Whispers in the Dark. It has been revised and updated. Alpha hero, vampire hunter, strong heroine, heroine in peril, protector

Float like a butterfly. Kill like a swallowtail. Scott knows his boring day is over the second a bloody and scared George Kelvin crashes into his office, claiming people are trying to kill him. He knows he should pass the case over to one of his brothers, but he can't seem to do it. The strength and resilience of the man mixed with a quirky sense of humor fascinate him. He may be a human in the company of powerful shifters, but he's just as deadly and well trained as the rest of his brothers. With devious CIA agents, foreign forces gunning for what George possesses and George's power-hungry father, who is also Deputy Director of the FBI, Scott begins to wonder if he's bitten off more than he can chew. George always knew his father was dangerous and cruel. However, he never thought that those titles would inadequately sum up the lengths his father is willing to go to, to get what he wants. The only chance he has is using whatever is on file against his father. Staying alive to do that is another challenge. When he runs into the Shifter Protection Specialists, Inc. office, he's desperate, but isn't convinced anyone can protect him from his father. Risking more than he'd thought possible, he discovers that maybe he is more than he's always been taught to believe. One thing is for certain—his father is not going to give up easily.

Leadership in the workplace, says Max DePree, is like playing jazz; it's more an art than a science. Today's successful managers are attuned to the needs and ideas of their followers and even step aside at times to be followers themselves. As a result, they spark vitality and productivity from their work force. They culivate communication and spontaneity, diversity and creativity, and the unique potential of every person in the organization to contribute to the success of the team. In Leadership Jazz you'll learn -How to hold people accountable but still give them space to make mistakes. - How to balance the needs of your employees with those of the company. - How to inspire change and innovation and maintain a sense of stability. - How to practice the art of delegation. - How to work constructively with creative people. - How to assess candidates for senior positions. - And much more!

Valentina Farro is used to being the hunter, not the hunted. That all changes when a vampire seeking vengeance marks her and the rest of her team for death. Now, one of the fiercest members of the Guardians is fighting not just for her life, but the lives of her friends. It should have just been another assignment, but nothing goes according to plan when the vampire Aedan Doyle is hunting leads him into Valentina’s life. Determined to keep the gorgeous warrior safe, Aedan appoints himself as Val’s personal bodyguard. Then he makes sure he’s guarding her beautiful body up close and personal, every chance he gets. As the body count rises, Valentina and Aedan’s new bond is tested to the breaking point. Trusting each other with their lives is one thing, but finding the courage to trust each other with their hearts…that takes a different type of bravery. **Publisher’s Note – This book was previously released as Guarding Valentina Keywords: Alpha Hero, protector, woman in peril, vampire, vampire hunter

A galvanizing history of how jazz and jazz musicians flourished despite rampant cultural exploitation The music we call “jazz” arose in late nineteenth century North America—most likely in New Orleans—based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the “blues,” which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. Jazz and Justice examines the economic, social, and political forces that shaped this music into a phenomenal US—and Black American—contribution to global arts and culture. Horne assembles a galvanic story depicting what may have been the era’s most virulent economic—and racist—exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known. Horne pays particular attention to women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, and limns the contributions of musicians with Native American roots. This is the story of a beautiful lotus, growing from the filth of the crassest form of human immiseration.

New Jazz Conceptions: History, Theory, Practice is an edited collection that captures the cutting edge of British jazz studies in the early twenty-first century, highlighting the developing methodologies and growing interdisciplinary nature of the field. In particular, the collection breaks down barriers previously maintained between jazz historians, theorists and practitioners with an emphasis on interrogating binaries of national/local and professional/amateur. Each of these essays questions popular narratives of jazz, casting fresh light on the cultural processes and economic circumstances which create the music. Subjects covered include Duke Ellington’s relationship with the BBC, the impact of social media on jazz, a new view of the ban on visiting jazz musicians in interwar Britain, a study of Dave Brubeck as a transitional figure in the pages of Melody Maker and BBC2’s Jazz 625, the issue of ‘liveness’ in Columbia’s Ellington at Newport album, a musician and promoter's views of the relationship with audiences, a reflection on Philip Larkin, Kingsley Amis and Eric Hobsbawm as jazz critics, a musician’s perspective on the oral and generational tradition of jazz in a British context, and a meditation on Alan Lomax’s Mr. Jelly Roll, and what it tells us about cultural memory and historical narratives of jazz.