Set on a Caribbean island in the grip of colonialism, this novel is “masterful . . . simply wonderful . . . [an] exquisite retelling of The Tempest” (Kirkus Reviews, starred review). When Peter Gardner’s ruthless medical genius leads him to experiment on his unwitting patients—often at the expense of their lives—he flees England, seeking an environ where his experiments might continue without scrutiny. He arrives with his three-year-old-daughter, Virginia, in Chacachacare, an isolated island off the coast of Trinidad, in the early 1960s. Gardner considers the locals to be nothing more than savages. He assumes ownership of the home of a servant boy named Carlos, seeing in him a suitable subject for his amoral medical work. Nonetheless, he educates the boy alongside Virginia. As Virginia and Carlos come of age together, they form a covert relationship that violates the outdated mores of colonial rule. When Gardner unveils the pair’s relationship and accuses Carlos of a monstrous act, the investigation into the truth is left up to a curt, stonehearted British inspector, whose inquiries bring to light a horrendous secret. At turns epic and intimate, Prospero's Daughter, from American Book Award winner Elizabeth Nunez, uses Shakespeare’s play as a template to address questions of race, class, and power, in the story of an unlikely bond between a boy and a girl of disparate backgrounds on a verdant Caribbean island during the height of tensions between the native population and British colonists. “Gripping and richly imagined . . . a master at pacing and plotting . . . an entirely new story that is inspired by Shakespeare, but not beholden to him.” —The New York Times Book Review “Absorbing . . . [Nunez] writes novels that resound with thunder and fury.” —Essence “A story about the transformative power of love . . . Readers are sure to enjoy the journey.” —Black Issues Book Review (Novel of the Year)

A member of Mexico's privileged upper class, yet still subordinated because of her gender, Rosario Castellanos became one of Latin America's most influential feminist social critics. Joanna O'Connell here offers the first book-length study of all Castellanos' prose writings, focusing specifically on how Castellanos' experiences as a Mexican woman led her to an ethic of solidarity with the oppressed peoples of her home state of Chiapas. O'Connell provides an original and detailed analysis of Castellanos' first venture into feminist cultural analysis in her essay Sobre cultura feminina (1950) and traces her moral and intellectual trajectory as feminist and social critic. An overview of Mexican indigenismo establishes the context for individual chapters on Castellanos' narratives of ethnic conflict (the novels Balún Canán and Oficio de tinieblas and the short stories of Ciudad Real). In further chapters O'Connell reads Los convidados de agosto,Album de familia, and Castellanos' four collections of essays as developments of her feminist social analysis.

Morgan Pierce is man entranced--by a mysterious woman in a Bath chair. Bound to her fate by a crippling carriage accident, Miranda wants only solitude during her recovery. Morgan, however, believes it is her heart that needs healing. Original.

The exciting, suspenseful story of Miranda's search for Prospero, the fabled sorcerer of The Tempest The search of a daughter for her father is but the beginning of this robust fantasy adventure. For five hundred years since the events of William Shakespeare's The Tempest, Miranda has run Prospero, Inc., protecting an unknowing world from disasters both natural and man-made. Now her father has been taken prisoner of dark spirits in a place she could only guess. Piecing together clues about her father's whereabouts and discovering secrets of her shrouded past, she comes to an inescapable conclusion she has dreaded since Prospero was lost. Prospero has been imprisoned in Hell, kept there by demons who wish to extract a terrible price in exchange for his freedom. As the time of reckoning for Miranda draws near, she realizes that hundreds of years of their family's magic may not be enough to free her once-powerful father from the curse that could destroy them...and the world. Prospero in Hell is the second novel of the Prospero's Daughter series.

Prospero, the sorcerer on whose island of exile William Shakespeare set his play, The Tempest, has endured these past many centuries. His daughter Miranda runs the family business, Prospero, Inc. so smoothly that the vast majority of humanity has no idea that the Prosperos' magic has protected Earth from numerous disasters. But Prospero himself has been kidnapped by demons from Hell, and Miranda, aided by her siblings, has followed her father into Hell to save him from a certain doom at the hands of vengeful demons. Time is running out for Miranda, and for the great magician himself. Their battle against the most terrifying forces of the Pit is a great fantasy adventure.

It began ages past in fabled Atlantis, when a mad, power-hungry queen forged a key to a door never meant to be opened by mortal man--its inception would hasten her own death and the extinction of her vainglorious race. For millennia the key lay forgotten beneath the waves, lost amid the ruins of what had been the most beautiful city on Earth. But however jealously the sea hoards its secrets, sooner or later it yields them up. Now, in present-day Yorkshire, that time has come. And for young Fernanda Capel, life will never be the same again . . .

NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle