This assured and powerful study explores the condition of the middle classes in Britain today. The authors outline a new theoretical perspective for exploring the middle classes and provide the reader with up-to-date empirical information on the class structure.

This book is a sociological study of a societal grouping that has the popular title ’middle class’. It argues that it is more precise to describe the middle classes as dominant groupings, and the book draws upon a wide range of characters from such groupings. In a detailed analysis of cultural practices, those making an appearance include omnivores, carnivores, herbivores, the middle-brow, traditional culture vultures, middle class plunderers, the urban arts eclectic and the English gentleman. There is a particular focus on those expressing the ’silver disposition’; predominantly affluent, middle-aged and white, with a taste for conspicuous consumption and established cultural forms. The book brings together a range of disparate sources on the middle classes and offers a sustained engagement with the concept of ’culture’. It illustrates the extent to which social groups utilize the various assets at their disposal and seek to maintain the legitimacy of their cultural practices. The findings emphasise the continuing link between class and taste. Culture and the Middle Classes will be of interest to those working in the fields of class and culture across a range of disciplines, including sociology, cultural studies, social theory, media studies and cultural anthropology.

Mike Savage and Andrew Miles provide a comprehensive introduction to the working class in Britain in the years after 1840. This textbook: * Includes a provocative, timely and clear defence of class analysis * Breaks new ground in showing how social mobility and urban change affected working class formation * Demonstrates how the history of the working class is politically reconstructed * Shows how class and gender interact in mediating social and political change

This volume of "Culture and Civilization" focuses on cosmopolitanism, the global polity, and political ramifications of globalization. The introduction by Gabriel R. Ricci establishes context and provides an overview of the entire work. Topics include the history of globalization, climate change policy, ecological consequences of development, concepts of civilization, human rights, Eastern thought and economics, global citizenship, and travel writing. Within this collection, Carl J. Strikwerda argues that the first era of globalization in modern times was marked by global migrations patterns. Pablo Iannones history of the Andean oil rush and its ecological consequences looks at the processes of development. Brett Bowden argues that civilization entails both progress and war. J. Baird Callicott provides a philosophical analysis of a moral theory that accommodates spatial and temporal scales of climate change, Sanjay Paul analyzes the United Nations Global Compact, and Ed Chung discusses the role of economic theory in business schools. Colin Butler reflects on E. F. Schumachers "Buddhist Economics," while Taso Lagos relates parallel polis to the idea of global citizenship. Tony Burns examines the ways in which Aristotle, Hegel, and Kant have been interpreted. Finally, Adam Stauffer explores Charles Warren Stoddards work "South-Sea Idyls." This volume of "Culture and Civilization," the first under Riccis editorship, follows the tradition of the previous four volumes--developing critical ideas intended to produce a positive intellectual climate, one that is prepared to confront challenges and alert us to the opportunities, for people in all fields and of all faiths, of the twenty-first century.

The central question in this book is whether consumption has now displaced production as the defining factor in the lives of those in the industrialized West. Ransome offers a comprehensive review of the key issues in the debate, and where it might lead in the future.

Choice Recommended Title, February 2010 Culture, Class, Distinction is major contribution to international debates regarding the role of cultural capital in relation to modern forms of inequality. Drawing on a national study of the organisation of cultural practices in contemporary Britain, the authors review Bourdieu’s classic study of the relationships between culture and class in the light of subsequent debates. In doing so they re-appraise the relationships between class, gender and ethnicity, music, film, television, literary, and arts consumption, the organisation of sporting and culinary practices, and practices of bodily and self maintenance. As the most comprehensive account to date of the varied interpretations of cultural capital that have been developed in the wake of Bourdieu’s work, Culture, Class, Distinction offers the first systematic assessment of the relationships between cultural practice and the social divisions of class, gender and ethnicity in contemporary Britain. It is essential reading for anyone interested in the relationships between culture and society.

The changing nature of waged work in contemporary advanced industrial nations is one of the most significant aspects of political and economic debate. It is also the subject of intense debate among observers of gender. Capital Culture explores these changes focusing particularly on the gender relations between the men and women who work in the financial services sector. The multiple ways in which masculinities and femininities are constructed is revealed through the analysis of interviews with dealers, traders, analysts and corporate financiers. Drawing on a range of disciplinary approaches, the various ways in which gender segregation is established and maintained is explored. In fascinating detail, the everyday experiences of men and women working in a range of jobs and in different spaces, from the dealing rooms to the boardrooms, are examined. This volume is unique in focusing on men as well as women, showing that for men too there are multiple ways of doing gender at work.