This is a study of the social, political, economic and public health aspects of the Second World War in South Asia, with particular attention being accorded to colonial Eastern India, which was treated as a single administrative unit during the course of the conflict for strategic purposes. The conclusion deals with the long term effects of the war: its effects on political formations, bureaucratic re-negotiation and the de-colonisation of the British Indian empire.

This is a study of the social, political, economic and public health aspects of the Second World War in South Asia, with particular attention being accorded to colonial Eastern India, which was treated as a single administrative unit during the course of the conflict for strategic purposes. The conclusion deals with the long term effects of the war: its effects on political formations, bureaucratic re-negotiation and the de-colonisation of the British Indian empire.

There is no single volume which covers the Indian Army’s experiences during the two World Wars. And this is what the present edited volume attempts to do. This collection of 17 essays analyze the army as an institution and also touch upon the cultural ethos of the army and related social issues. Thus, this edited volume is a cross between ‘traditional military history’ (study of campaigns, tactics, leadership) and ‘new military history’ (impact of warfare on society and culture). While some of the essays take a pan Indian perspective, a few essays also focus on those regions within India (like Punjab) which were intimately related with the army. A few contributors also turn the spotlight on the overseas theatres like Mesopotamia, France and Burma, where the Indian Army played a very important role. Contributors are Alan Jeffreys, Andrew Syk, Daniel Marston, David Kenyon, Dennis Showalter, Gajendra Singh, Gavin Rand, James Kitchen, Nick Lloyd, Nikolas Gardner, Rajit K. Mazumder, Raymond Callahan, Rob Johnson, Ross Anderson, Tarak Barkawi and Tim Moreman.

Films for the Colonies examines the British Government’s use of film across its vast Empire from the 1920s until widespread independence in the 1960s. Central to this work was the Colonial Film Unit, which produced, distributed, and, through its network of mobile cinemas, exhibited instructional and educational films throughout the British colonies. Using extensive archival research and rarely seen films, Films for the Colonies provides a new historical perspective on the last decades of the British Empire. It also offers a fresh exploration of British and global cinema, charting the emergence and endurance of new forms of cinema culture from Ghana to Jamaica, Malta to Malaysia. In highlighting the integral role of film in managing and maintaining a rapidly changing Empire, Tom Rice offers a compelling and far-reaching account of the media, propaganda, and the legacies of colonialism.

The first systematic study to address the character and scope of American popular music in India during British rule.

World War II was a global catastrophe. Far broader than just the critical struggle between Allies and Axis, its ramifications were felt throughout the world. It was a time of social relocation, reorienting ideas of patriotism and geographical attachment, and forcing the movement of people across oceans and continents. In India at War, Yasmin Khan offers an account of India's role in the conflict, one that takes into consideration the social, economic, and cultural changes that occurred in South Asia between 1939 and 1945-and reveals how vital the Commonwealth's contribution was to the war effort. Khan's sweeping work centers on the lives of ordinary Indian people, exploring the ways they were affected by a cataclysmic war with origins far beyond Indian shores. In manpower alone, India's contribution was staggering; it produced the largest volunteer army in world history, with 2.5 million men. Indians were engaged in making the raw materials and food stuffs needed by the Allies, and became involved in the construction of airstrips, barracks, hospitals, internee camps, roads and railways. Their lives were also profoundly affected by the presence of the large Allied army in the region, including not only British but American, African, and Chinese troops. Madras was bombed by the Japanese and the Andaman and Nicobar Islands were occupied, while the Bengal famine of 1943-in which perhaps three million Bengalis died-was a man-made disaster precipitated by the effects of the war. This authoritative account offers a critically important look at the contributions of colonial manpower and resources essential to sustaining the war, and emphasizes the significant ways in which the conflict shaped modern India.

How, as historians, should we 'read' a film? Histories on Screen answers this and other questions in a crucial volume for any history student keen to master source use. The book begins with a theoretical 'Thinking about Film' section that explores the ways in which films can be analyzed and interrogated as either primary sources, secondary sources or indeed as both. The much larger 'Using Film' segment of the book then offers engaging case studies which put this theory into practice. Topics including gender, class, race, war, propaganda, national identity and memory all receive good coverage in what is an eclectic multi-contributor volume. Documentaries, films and television from Britain and the United States are examined and there is a jargon-free emphasis on the skills and methods needed to analyze films in historical study featuring prominently throughout the text. Histories on Screen is a vital resource for all history students as it enables them to understand film as a source and empowers them with the analytical tools needed to use that knowledge in their own work.