Challenging the notion that there was no 'popular imperialism' in France, this important new book examines the importance of France's colonial role in the development of French society and culture after 1870. It assesses the impact of colonial propaganda on public attitudes in France and the relationship between French imperialism, republicanism and nationalism. It analyses metropolitan representations of empire, traces the development of a colonial 'science' and discusses the enduring importance of images and symbols of empire in contemporary France. It will be of interest to students of imperial, social and cultural history as well as to historians of contemporary France.

This landmark collection by an international group of scholars and public intellectuals represents a major reassessment of French colonial culture and how it continues to inform thinking about history, memory, and identity. This reexamination of French colonial culture, provides the basis for a revised understanding of its cultural, political, and social legacy and its lasting impact on postcolonial immigration, the treatment of ethnic minorities, and national identity.

Following the Indian Rebellion of 1857, fear of Indigenous uprisings spread across the British Empire and nibbled at the edges of settler societies. Publicly admitting to this anxiety, however, would have gone counter to Victorian notions of racial superiority. In Settler Anxiety at the Outposts of Empire Kenton Storey opens a window on this time by comparing newspaper coverage in the 1850s and 1860s in the colonies of New Zealand and Vancouver Island. Challenging the idea that there was a decline in the popularity of humanitarianism across the British Empire in the mid-nineteenth century, he demonstrates how government officials and newspaper editors appropriated humanitarian rhetoric as a flexible political language. Whereas humanitarianism had previously been used by Christian evangelists to promote Indigenous rights, during this period it became a popular means to justify the expansion of settlers’ access to land and to promote racial segregation, all while insisting on the “protection” of Indigenous peoples.

An exploration of how an official French visual culture normalized France’s colonial project and exposed citizens and subjects to racialized ideas of life in the empire. By the end of World War I, having fortified its colonial holdings in the Caribbean, Latin America, Africa, the Indian Ocean, and Asia, France had expanded its dominion to the four corners of the earth. This volume examines how an official French visual culture normalized the country’s colonial project and exposed citizens and subjects alike to racialized ideas of life in the empire. Essays analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France’s colonies across the seas. These studies draw from the rich documents and media—photographs, albums, postcards, maps, posters, advertisements, and children’s games—related to the nineteenth- and twentieth-century French empire that are held in the Getty Research Institute’s Association Connaissance de l’histoire de l’Afrique contemporaine (ACHAC) collections. ACHAC is a consortium of scholars and researchers devoted to exploring and promoting discussions of race, iconography, and the colonial and postcolonial periods of Africa and Europe.

Mahdi Amel (1936–87) was a prominent Arab Marxist thinker and Lebanese Communist Party member. This first-time English translation of his selected writings sheds light on his notable contributions to the study of capitalism in a colonial context.

A striking new interpretation of colonial policing and political violence in three empires between the two world wars.