In his writings, Hume talks of our 'gilding and staining' natural objects, and of the mind's propensity to 'spread itself' on the world. This has led commentators to use the metaphor of 'projection' in connection with his philosophy: Hume is held to have taught that causal power and self are projections, that God is a projection of our fear, and that value is a projection of sentiment. By considering what it is about Hume's writing that occasions this metaphor, P. J. E. Kail spells out its meaning, the role it plays in Hume's work, and examines how, if at all, what sounds 'projective' in Hume can be reconciled with what sounds 'realist'. In addition to offering some highly original readings of Hume's central ideas, Projection and Realism in Hume's Philosophy offers a detailed examination of the notion of projection and the problems it faces.

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'In Projection and Realism in Hume's Philsophy', Kail provides a fresh interpretation of this metaphor and uses it to shed new light on some of Hume's central ideas.

Hume is held to have taught that causal power and self are projections, that God is a projection of our fear, and that value is a projection of sentiment. In Projection and Realism in Hume's Philosophy, P. J. E. Kail provides a fresh interpretation of this metaphor and uses it to shed new light on some of Hume's central ideas.

This volume presents fourteen original essays which explore the philosophy of Simon Blackburn, and his lifetime pursuit of a distinctive projectivist and anti-realist research program. The essays document the range and influence of Blackburn's work and reveal, among other things, the resourcefulness of his brand of philosophical pragmatism.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

The Evident Connexion presents a bold new reading of David Hume's famous 'bundle' theory of the self or mind, and his later rejection of it. Galen Strawson illuminates the 'uniting principle' of Hume's philosophy and argues that the bundle theory does not, as widely supposed, claim that there are no subjects of experience.