It is 139,470 A.C. No water is left anymore in the earth; it has changed from 3000 A.C. No humanity, no kindness, no belief in others, no trust and no love is left. Humans are now cyborgs and they think that they are immortal. Now only 8 humans are left in the entire world. One who rules over the whole universe and his two brothers, 2 siblings who are actually god, one most powerful human and one human who is also a god and has come to bring the end of the universe and to create a new and lovely world, Moonlight. ( Beginning )

It's 1885 and a drunk and rage-filled Nigel Pickford breaks up a phony medium's séance. A strange twist of fate soon finds him part of a team investigating the afterlife. The Eidola Project is an intrepid group of explorers dedicated to bringing the light of science to that which has been feared, misunderstood, and often manipulated by charlatans. They are a psychology professor, his assistant, an African-American physicist, a sideshow medium, and now a derelict, each possessing unique strengths and weaknesses. Called to the brooding Hutchinson Estate to investigate rumored hauntings, they encounter deadly supernatural forces and a young woman driven to the brink of madness. Will any of them survive?

The Eidola Project travels to Petersburg, Virginia, to investigate a series of murders in the Black community—rumored to be caused by a werewolf. Once there, danger comes from all quarters. Not only do they face threats from the supernatural, the KKK objects to the team's activities, and the group is falling apart. Can they overcome their human frailties to defeat the evil that surrounds them?

As a city that seems to float between Europe and Asia, removed by a lagoon from the tempos of terra firma, Venice has long seduced the Western imagination. Since the 1797 fall of the Venetian Republic, fantasies about the sinking city have engendered an elaborate series of romantic clichés, provoking conflicting responses: some modern artists and intellectuals embrace the resistance to modernity manifest in Venice's labyrinthine premodern form and temporality, whereas others aspire to modernize by "killing the moonlight" of Venice, in the Futurists' notorious phrase. Spanning the history of literature, art, and architecture—from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover—Killing the Moonlight tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new. Killing the Moonlight brings Venice into the geography of modernity as a living city rather than a metaphor for death, and presents the archipelago as a crucible for those seeking to define and transgress the conceptual limits of modernism. In strategic detours from the capitals of modernity, the book redrafts the confines of modernist culture in both geographical and historical terms.

In this reflective and enjoyable India travel memoir, “hooks of fears” claw at author Claire Krulikowski on her first morning’s awakening in India, a land she’d never planned to visit. However, in Rishikesh she hears the call of Ma Ganga, the sacred Ganges River, and accepts its enticing invitation to leave everything she knows behind. Diving into the river of life teeming around her, including meetings with lepers, wounded monkeys, swamis, stalkers, pilgrims, shopkeepers, holy cows, and more, Krulikowski steps outside her beliefs of how things “should be,” trusting life and everything in it! She comes to know happiness and peace moment-by-moment. Presented in exquisite vignettes, enjoy these tales of spirit that are seemingly channeled by the sacred river.