p.1-26 give brief but authoritative outline of Aranda life and culture.

In The Story of N, Hugh S. Gorman analyzes the notion of sustainability from a fresh perspective—the integration of human activities with the biogeochemical cycling of nitrogen—and provides a supportive alternative to studying sustainability through the lens of climate change and the cycling of carbon. It is the first book to examine the social processes by which industrial societies learned to bypass a fundamental ecological limit and, later, began addressing the resulting concerns by establishing limits of their own The book is organized into three parts. Part I, “The Knowledge of Nature,” explores the emergence of the nitrogen cycle before humans arrived on the scene and the changes that occurred as stationary agricultural societies took root. Part II, “Learning to Bypass an Ecological Limit,” examines the role of science and market capitalism in accelerating the pace of innovation, eventually allowing humans to bypass the activity of nitrogen-fixing bacteria. Part III, “Learning to Establish Human-Defined Limits,” covers the twentieth-century response to the nitrogen-related concerns that emerged as more nitrogenous compounds flowed into the environment. A concluding chapter, “The Challenge of Sustainability,” places the entire story in the context of constructing an ecological economy in which innovations that contribute to sustainable practices are rewarded.

The sociological imagination and the artistic imagination have been historically intertwined, at once reciprocal and conflicting, complementary and tensional. This connection is nowhere more apparent than in the work of Zygmunt Bauman. His conception and practice of sociology were always infused with a literary and artistic sensibility. He wrote extensively on the relationship between sociology and the arts, and especially on sociology and literature; he frequently drew on literary writers in his exploration and elucidation of sociological problems; and he was an avid and passionate consumer and practitioner of art, especially film and photography. This volume brings together hitherto unknown or rare pieces by Bauman on the themes of culture and art, including previously unpublished material from the Bauman Archive at the University of Leeds. A substantial introduction by the editors provides readers with a lucid guide through this material and develops connections to Bauman’s other works. The first volume in a series of books that will make available the lesser-known writings of one of the most influential social thinkers of our time, Culture and Art will be of interest to students and scholars across the arts, humanities and social sciences, and to a wider readership.