Nicholas Binge's novel is told by his fictional character, Chloe Chan, and masquerades as an academic work written by her, with footnotes and fictional bibliography. There is a second -- fictional -- title page which bears her name. As Chloe tells it, she is just about to give up on finding any real scholars at University when she starts to hear the rumours about Professor Roland Crannus. Spoken about in the whispers of conspiracy, the enigmatic Professor is idolised by students as the pinnacle of modern intellectualism - more myth than man. Drawn in by the mystery, and desperate to know more, Chloe follows the Professor into an academic labyrinth of clandestine mysteries and untold possibilities. But as her obsession with the Professor grows, she finds that someone, or something, hunts her through this maze. Plunged into an otherworldly chess game of linguistics, anthropology and quantum theory, Chloe is quickly forced to question everything that she once thought true.Ten years on since the tragedy in London, Professor Crannus is now a household name. His discoveries and actions litter the pages of our newspapers and our history books, but much of what he did is still shrouded in cover-up and conspiracy. For the first time since the catastrophe that shook the world, Chloe Chan chooses to share her story.PROFESSOR EVERYWHERE is a sci-fi mystery novel, combining the academic thrills of "The Da Vinci Code" and the literary style of Ted Chiang's "Story Of Your Life". // ________________________________________"Just step through that door and remember that when it closes behind you, everything turns to fiction and no longer exists except in your own mind: mad or sane."-Lawrence Gray, Founder, Hong Kong Writers' Circle, Winner of the Proverse Prize 2015, author of "Adam's Franchise", "Cop Show Heaven", and "Odds and Sods".________________________________________"The real trauma of Professor Everywhere...involves our readerly alignment with Chloe [Chan]: a contemporary Icarus who lives to recall her epic fall."-Jason S Polley, Associate Professor, Department of English Language and Literature, Hong Kong Baptist University. Jason S Polley, Wing Kin Vinton Poon, and Lian-Hee Wee (eds). "Cultural Conflict in Hong Kong: Angles on a Coherent Imaginary". Palgrave, 2018. ________________________________________ "a nightmarish world of corridors and doors appearing and disappearing, a surreal underworld that could have been taken from a Greek myth."-David Stephens, Professor of International Education, Author of "Purely Academic" ________________________________________ "A wide metaphor of our times and of the infinite faces that the academic world can take."-Pedro Llosa Vélez, Author of award-winning "The Visit" ________________________________________

When Carolyn joined her archaeologist father in Mexico, she found herself immediately in conflict with Don Carlos, who owned the valley where her father was searching for a Zapotec city. Don Carlos thought she was "a typical product of the permissive society" and Carolyn let him know that "I am not one of your peons". It seemed an inauspicious beginning to their relationship. And yet…

A guide for grad students and academics who want to find fulfilling careers outside higher education. With the academic job market in crisis, 'Leaving Academia' helps grad students and academics in any scholarly field find satisfying careers beyond higher education. The book offers invaluable advice to visiting and adjunct instructors ready to seek new opportunities, to scholars caught in "tenure-trap" jobs, to grad students interested in nonacademic work, and to committed academics who want to support their students and contingent colleagues more effectively. Providing clear, concrete ways to move forward at each stage of your career change, even when the going gets tough, 'Leaving Academia' is both realistic and hopeful.

Hipnology is designated as mind science because it strictly deals with enhancement and advancement of the intellect. For this reason, the reader will encounter certain scholars from the school of life who have transcended the zones of ignorance by ascending to the throne of self-mastery. Whether those conversations are conducted by Master Key, Wiz, Finesse, Dr. Know, etc., the game plan of each hipnologist is to break the spell of tricknology. It is no secret that the minds eye has been hypnotized throughout the trance of time. Therefore, the goal of hipnology is to break those spells by unveiling truths and telling lifes story in a unique style and fashion. There is so much that can be emphasized regarding these writings, so since knowledge is endless, Hipnology 101 will be presented in series. In other words, the writings will not stop until the casket drops.

When Dr. Joshua Mtolo witnesses a horrendous crime against innocent children, he determines to help the youngsters overcome the mental and physical stresses their traumatic experiences provoked. Money, or the lack of it, proves his greatest hindrance to offering the help he thinks they require. While seeking the necessary funds, he steps outside the legal limits, with devastating results for everyone connected to him.

SHORTLISTED FOR THE QWF MAVIS GALLANT PRIZE FOR NON-FICTION THE GLOBE 100: THE BEST BOOKS OF 2022 From LAMBDA Literary Award winner Sina Queyras, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind Thirty years ago, a professor threw a chair at Sina Queyras after they’d turned in an essay on Virginia Woolf. Queyras returns to that contentious first encounter with Virginia Woolf to recover the body and thinking of that time. Using Woolf’s A Room of One’s Own as a touchstone, this book is both an homage to and provocation of the idea of a room of one’s own at the centre of our idea of a literary life. How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us? Blending memoir, prose, tweets, poetry, and criticism, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind, and from a very private life of the mind to a public life of the page, and from a life of the page into a life in the Academy, the Internet, and on social media. "With Virginia Woolf alongside them, Queyras journeys through rooms literal and figurative, complicating and deepening our understanding of what it means to create space for oneself as a writer. Their hard-won language challenges us to resist any glib associations of Woolf’s famous ‘room’ with an easy freedom. Inspiring and moving, Queyras’s memoir testifies to Woolf’s continuing generative power."—Mark Hussey, editor of Virginia Woolf's Between the Acts (2011) and author of Clive Bell and the Making of Modernism (2021) "In this beautiful, perceptive book, Sina Queyras moves deftly between the words and wake of Virginia Woolf and their own formation as writer, lover, teacher, friend, and person. Rooms is expert in its depiction of personal and literary histories, and firmly aware of its moment of composition. Reading these pages, I was enticed by Queyras’s curiosity and openness, thrilled by the sharp edges of their anger. Tight prose, electric thinking, self-discovery – it’s all here, all abuzz. Rooms is alive." – Heather Christle, author of The Crying Book "It is impossible not to question the world as we thought we knew it by the end of this book. Sina Queyras painstakingly aims their extraordinary nerve and talent at Virginia Woolf’s idea of a room of one’s own: 'It’s a mistake to consider the room without all of its entanglements.' Taking Woolf’s cue, Queyras explores writing that is not world-building but something far more generous and transformative; as Woolf wrote, 'Literature is open to everybody.'" – CAConrad, author of AMANDA PARADISE: Resurrect Extinct Vibration

One touch. One kiss. One night. One baby. Professor Poppy Green had brains and beauty, a lethal combination that tempted me in ways I hadn’t fully understood, until the moment I saw her again, four months later. Her smile wobbled, her green eyes swam with tears, and her hands protected the swell of her belly. The baby was mine. I knew that without having to ask. I was going to be a Dad. Somehow, someway, I had to show Poppy that I didn’t just want the baby, but I wanted her too.