Alexander details dozens of woodwind and brass writing techniques previously known by only a few top professional film orchestrators, composers, and arrangers which are applicable to both live performance and MIDI mock-ups.

A practical guide to professional orchestration featuring recorded musical examples performed by Henry Mancini. Included in the book are sections on the woodwinds, brass, the rhythm section and the string section. A recording is included to follow along with the printed scores.

In "Professional Orchestration: A Practical Handbook - From Piano to Strings", conductor/composer Joseph Wagner, Founder of the Boston Civic Symphony and former Composer-in-Residence at Pepperdine University, teaches you applied orchestration by demonstrating 30 different techniques within "The Reference Chart of Keyboard Idioms" for transcribing piano parts and piano devices to the string section. Techniques covered include Broken Intervals, Broken Chords, Melodic Lines and Figurations, Implied Bass Parts, Single Note Interval and Chord Repetitions, 2-3 Part Homophonic Music, Spacing Problems, Contrast Problems, Voice Leading, Obbligato, Antiphonal Effects, Tremolo Types, and Dance Forms. Designed for either personal or classroom use. Included in "From Piano to Strings" is the complete piano solo and separate string ensemble adaption of Grieg's "Holberg Suite" demonstrating how these techniques are applied and work in real practice. The Appendix contains a bonus String Ensemble template for you to copy and do your studies with and the "Chart of String Unisons" to help you work out common string combinations. Available for separate purchase is the "Workbook" with audio files that gives you dozens of homework examples to orchestrate. The "Workbook" is used with all three handbooks in the series - starting with "From Piano to Strings", then "From Piano to Woodwinds", and finally "From Piano to Orchestra". "From Piano to Strings" builds both orchestration and composition skills for live performance, but also develops MIDI mockup and recording skills. Companion titles for this series available for separate purchase are Alexander Publishing's "Professional Orchestration Volume 1: Solo Instruments and Instrumentation Notes" and "Volume 2A: Orchestrating the Melody Within the String Section".

At last, a quick reference orchestration book tailor-made for the classroom musician on a budget. Any teacher, student or professional musician, whether a composer, orchestrator, arranger, performer or enthusiast will find this book full of the most needed information on over 150 instruments. Designed for quick and easy reference, Essentials of Orchestration includes those much-needed instrument ranges, general characteristics, tone quality descriptions, technical pitfalls, useful scoring tips and much more!

Excerpt from Orchestration: A Practical Handbook Teaching experience over a period of many years at all levels provided the data for this text. It is because this experience showed conclusively the regularity of common errors dealing essentially with purely technical aspects of structural problems that equal proportions of textures and timbres have been incorporated as basic text materials. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians teaches students how to orchestrate for a wide variety of instruments, ensembles, and genres, while preparing them for various real-world professional settings ranging from the concert hall to the recording studio. Unlike most orchestration texts, it includes coverage of contemporary instruments and ensembles alongside traditional orchestra and chamber ensembles. Features Practical considerations: Practical suggestions for choosing a work to orchestrate, and what to avoid when writing for each instrument. Pedagogical features In the Profession: Professional courtesies, considerations and expectations. Building the Score: Step-by-step construction of an orchestration. Scoring Examples: Multiple scoring examples for each instrument. Exercises: Analyzing, problem solving, and creating orchestration solutions. Critical Thinking: Alternate approaches and solutions.