To assemble this guide for film lovers in search of intriguing videos to rent, Sragow, movie critic for the San Francisco Examiner, asked 29 fellow members of the National Society of Film Critics for "strongly argued reviews of movies they had championed, even if that meant going out on a limb.''

A "deeply moving survey of the great civic structures that Philadelphia erected, then neglected."—Philadelphia Inquirer "An aesthetic masterpiece—most relevant and revealing for our time."—Robert Venturi With the photographs in this book, Vincent Feldman offers Philadelphians a testament of who we were, who we are, and who we are likely to become. Some of his subjects have succumbed to neglect or demolition (the Ridge Avenue Farmers' Market, for example); some have been successfully rehabilitated to new uses (the Victory Building); while others remain in limbo in their ruined states—their futures far from secure. Yet besides recording the current state of the buildings, Feldman's photographs can play an active role in their preservation and renovation. His photos can serve, not only as documentary records, but also as catalysts for the rescue and rehabilitation of some of Philadelphia's most significant and neglected "abandoned" city architecture. "By focusing on buildings that embody the civic aspirations of decades past and by portraying them in such stark terms, Vincent Feldman has created a body of work that is a vivid reminder of the fragile nature of what we have inherited and the need to remain ever diligent in its preservation."—John Andrew Gallery, "On Vincent Feldman's Philadelphia" "[Feldman's] images move us to a deeper feeling and understanding of the city, as they pose important questions about our stewardship and the city's future. It's the story of a city on the edge, and we're glad to be along for this freeze-frame journey of photographic brinksmanship."—Kenneth Finkel, "Looking at the Past" "By inviting you to look carefully at buildings from Philadelphia's past, I hope to promote inquiry about our history and also to inspire thoughtful discussion about what we might do for our future."—Vincent D. Feldman, from his Introduction "[Vincent] Feldman is not the kind of photographer who shoots and runs. An old-school craftsman, he uses a large-format view camera much like the one Mathew Brady hauled around to record the devastation of the Civil War. Feldman then retreats to the darkroom to print his images on paper, rendering them with such precision that bricks and stones appear to leap from the page in three-dimensional relief."—Inga Saffron, Philadelphia Inquirer The Wall Street Journal writes that the images of City Abandoned are "a melancholy catalog of such civic failures. In understated compositions that transcend merely local appeal, [Feldman] documents schools, theaters, hotels and churches left to deteriorate even as Philadelphia's downtown has boomed."

Seduced, Abandoned, and Reborn exposes the fears expressed by elders about young people in the early American republic. Those authors, educators, and moral reformers who aspired to guide youth into respectable stations perceived new dangers in the decades following independence. Battling a range of seducers in the burgeoning marketplace of early America, from corrupt peers to licentious prostitutes, from pornographic authors to firebrand preachers, these self-proclaimed moral guardians crafted advice and institutions for youth, hoping to guide them safely away from harm and toward success. By penning didactic novels and advice books while building reform institutions and colleges, they sought to lead youth into dutiful behavior. But, thrust into the market themselves, these moral guides were forced to compromise their messages to find a popular audience. Nonetheless, their calls for order did have lasting impact. In urban centers in the Northeast, middle-class Americans became increasingly committed to their notions of chastity, piety, and hard work. Focusing on popular publications and large urban centers, Hessinger draws a portrait of deeply troubled reformers, men and women, who worried incessantly about the vulnerability of youth to the perils of prostitution, promiscuity, misbehavior, and revolt. Benefiting from new insights in cultural history, Seduced, Abandoned, and Reborn looks at the way the categories of gender, age, and class took rhetorical shape in the early republic. In trying to steer young adults away from danger, these advisors created values that came to define the emerging middle class of urban America.

Originally intended as an examination of the rise and fall of the state hospital system, Matthew Christopher's Abandoned America rapidly grew to encompass derelict factories and industrial sites, schools, churches, power plants, hospitals, prisons, military installations, hotels, resorts, homes, and more.

Stenciled on many of the deactivated facilities at Cape Canaveral Air Force Station, the evocative phrase “abandoned in place” indicates the structures that have been deserted. Some structures, too solid for any known method of demolition, stand empty and unused in the wake of the early period of US space exploration. Now Roland Miller’s color photographs document the NASA, Air Force, and Army facilities across the nation that once played a crucial role in the space race. Rapidly succumbing to the elements and demolition, most of the blockhouses, launch towers, tunnels, test stands, and control rooms featured in Abandoned in Place are located at secure military or NASA facilities with little or no public access. Some have been repurposed, but over half of the facilities photographed no longer exist. The haunting images collected here impart artistic insight while preserving an important period in history.