New York Times bestselling YA author Darren Shan makes his adult fiction debut with this first book in a new series set in a darkly imagined world called the City. What had I done before coming to the city? I couldn't remember. It sounded crazy but my past was a blank. I could recall every step since alighting from the train, but not a single one before. Young, quick-witted and cocksure, Capac Raimi arrives in the City determined to make his mark in a world of sweet, sinister sin. He finds the City is a place of exotic dangers: a legendary assassin with snakes tattooed on his face who moves like smoke, blind Incan priests that no one seems to see, a kingpin who plays with puppets, and friends who mysteriously disappear as though they never existed. Then Capac crosses paths with The Cardinal, and his life changes forever. The Cardinal is the City, and The City is The Cardinal. They are joined at the soul. Nothing moves on the streets, or below them, without the Cardinal's knowledge. His rule is absolute. When Capac discovers the extent of The Cardinal's influence on his own life, he is faced with hard choices and his own soaring ambition. To find his way, Capac must know himself and what he is capable of. But how can you trust yourself when you can't remember your past?

"The grisly procession of dead had grown alarmingly...men who had endured the terrible ordeal of Bataan, who were 10,000 miles from home, and who then died in the most miserable conditions. For me, as a doctor, the most distressing thought was that they could have been saved, almost without exception, by proper diet and medical care." Imprisoned by the Japanese in 1942, Lieutenant John Bumgarner, U.S. Army Medical Corps, attempted to care for the survivors of the Bataan Death March. A lack of medical supplies, coupled with poor diet and unsanitary living conditions, made the task virtually impossible. Dr. Bumgarner was imprisoned until the Japanese surrender in 1945, all the while attending to his fellow prisoners of war who often had little chance of survival. His powerful story is a strong reminder of the brutality of war and captivity.

Tess Garritsen calls this one "my favorite book of the year!" In 1176, King Henry II sends his daughter Joanna to Palermo to marry his cousin, the king of Sicily. Henry chooses Adelia Aguilar to travel with the princess and safeguard her health. But when people in the wedding procession are murdered, Adelia and Rowley must discover the killer's identity, and whether he is stalking the princess or Adelia herself.

New York Times bestselling novelist Darren Shan returns with the second book in his series The City. In the City, The Cardinal rules, and Al Jeery is a loyal member of his personal guard. But when Al is pulled from his duties at Party Central to investigate a murder, an unexpected discovery leads him in a new direction, where his loyalties and beliefs will be severely tested. Soon he is involved in a terrifying mystery that draws in the dead, the City's Incan forefathers, the imposing figure of The Cardinal, and the near-mythical assassin Paucar Wami. Wami is a law unto himself, a shadowy, enigmatic figure who can apparently kill anyone he chooses without fear of punishment or retribution. And Al is about to find out that he has a lot more in common with Wami than he could ever have imagined...

The national bestselling hit hailed by the New York Times as a "vibrant medieval mystery...[it] outdoes the competition." In medieval Cambridge, England, Adelia, a female forensics expert, is summoned by King Henry II to investigate a series of gruesome murders that has wrongly implicated the Jewish population, yielding even more tragic results. As Adelia's investigation takes her behind the closed doors of the country's churches, the killer prepares to strike again.

New York Times bestselling novelist Darren Shan presents the final book in his The City series. For ten years Capac Raimi has ruled the City. Created by the first Cardinal to continue his legacy, Capac cannot be killed. Then Capac disappears. His trusted lieutenant, Ford Tasso, suspects the mysterious villacs, ancient and powerful Incan priests. To Ford, only one man has the cunning to outwit such adversaries-Al Jeery, who has taken the guise of his father, the terrifying assassin Paucar Wami. Al has no love for Capac and no wish to tangle with the villacs. Until Ford promises him the one thing he truly craves-retribution against the man who killed those he loved most and destroyed his life. Lured into the twisted, nightmarish world of the Incan priests, Al will learn more about the City than he ever imagined, and be offered more power than he ever desired. But in the City, everything comes at a cost...

Finalist for the National Jewish Book Awards Finalist, National Translation Award in Prose An exquisitely original collection of darkly funny stories that explore the panorama of Jewish experience in contemporary Poland, from a world-class contemporary writer “These small, searing prose pieces are moving and unsettling at the same time. If the diagnosis they present is right, then we have a great problem in Poland.” —Olga Tokarczuk, Nobel Prize laureate and author of Flights Mikołaj Grynberg is a psychologist and photographer who has spent years collecting and publishing oral histories of Polish Jews. In his first work of fiction—a book that has been widely praised by critics and was shortlisted for Poland’s top literary prize—Grynberg recrafts those histories into little jewels, fictionalized short stories with the ring of truth. Both biting and knowing, I’d Like to Say Sorry, but There’s No One to Say Sorry To takes the form of first-person vignettes, through which Grynberg explores the daily lives and tensions within Poland between Jews and gentiles haunted by the Holocaust and its continuing presence. In “Unnecessary Trouble,” a grandmother discloses on her deathbed that she is Jewish; she does not want to die without her family knowing. What is passed on to the family is fear and the struggle of what to do with this information. In “Cacophony,” Jewish identity is explored through names, as Miron and his son Jurek demonstrate how heritage is both accepted and denied. In “My Five Jews,” a non-Jewish narrator remembers five interactions with her Jewish countrymen, and her own anti-Semitism, ruefully noting that perhaps she was wrong and should apologize, but no one is left to say “I’m sorry” to. Each of the thirty-one stories is a dazzling and haunting mini-monologue that highlights a different facet of modern Poland’s complex and difficult relationship with its Jewish past.