The papers in this volume discuss issues related to Tibetan art from the 7th the 20th century, dealing with relevant religious and historical sources, religious painting and iconography, medical iconography, painting materials and schools, metalwork, ritual objects, photographic records, artists.

This volume deals with specific issues related to Tibetan art, ranging from the earliest Buddhist buildings in central, southern and eastern geocultural Tibet up to the artistic traditions flourishing in the 20th century. The papers are arranged following the chronology of the sites or the themes taken into consideration in the first part and logical criteria in the latter part. Illustrated with numerous black-and-white pictures and 32 pages of colour plates, its contents are of special interest to scholars and specialists, while a large part is accessible to non-specialists, too, which makes the book useful also to university students interested in the subject as well as amateurs of Tibetan art.

The papers in this volume all result from field work in the Indian Himalayas and the TAR conducted by the Interdisciplinary Research Unit, Austrian Science Fund. While the research goals were established within the framework of transdisciplinary research, each scholar approaches scientific problems according to the methodologies associated with their respective disciplines: philology, philosophy, history, art history, linguistics, and anthropology. In the contribution published here, Steinkellner, Klimburg-Salter, Widorn, and Jahoda explicate the structure, methods, and advantages of transdisciplinary research. Lasic and Tauscher analyse two different philosophical questions on the basis of manuscripts from Tabo (Spiti) and Gondhla (Lahaul). Pasang Wangdu, Tropper and Ponweiser each examine a Buddhist monument from a different perspective: Keru (TAR), Wanla (Ladakh), and Tabo. Papa-Kalantari and Hein discuss respectively an iconographic problem and oral traditions from Spiti and upper Kinnaur.

Recent archaeological discoveries and scientific research especially focussed on western Tibet and the western Himalayas have resulted in a remarkable redefinition of the historical and cultural processes of the entire Indo-Tibetan civilisation. The present volume reflects these sometimes startling new insights for the first time, covering the wide time range from the Zhang zhung period up to the 20th century, spanning secular, religious and economic history, as well as art and archaeology.

In this volume, for the first time Tibetan Medicine is approached from a combination of anthropology and history. These two disciplines appear to be vital to come to understand Tibetan medical knowledge and practice as being complex, diverse and dynamic phenomena which reflect changing social and historical conditions at the same time while also appealing to or preserving an older canon of traditions. Part One examines the impacts of various modernities in Tibet, the Himalayan borderlands and the Tibetan exile, including standardisation and scientization of Tibetan medicine. Part Two investigates the transmission and professionalisation of medical knowledge and its role in identity construction. Part Three traces connections between various body images, practices, and cosmologies in Tibetan societies and how mental and physical illnesses are understood. Part Four critically presents new or little known histories, commentarial practices, textual narratives and oral sources for investigating the history of Tibetan medicine.

This book, the first scholarly publication in the West to provide detailed documentation of modern life in contemporary Tibet, presents the cutting-edge field work carried out by an interdisciplinary group of researchers studying caste, pop music, media, painting, education, economics, childbirth and environment in Tibetan communities today.

This volume provides essential readings in the emerging interdisciplinary field of Tibetan literary studies. Chapters range from discussions of individual contemporary texts to theoretical interventions in literary and Tibetan studies.