The Harvard Celtic Colloquium was established in 1980 by two graduate students in the Harvard University Department of Celtic Languages and Literatures as a forum in which graduate students could share their work and gain experience in professional academia. Since then, it has been organized annually by a team of students in the department, grown in size, and gained an international reputation which annually draws a diverse mix of scholars from around the world to present papers on all facets of Celtic Studies. The Harvard Celtic Colloquium is the only conference in the field of Celtic Studies to be wholly organized and run by graduate students. Since its inception, established and internationally-renowned scholars in Celtic as well as graduate students, junior academics, and unaffiliated scholars have been drawn to this dynamic setting, presenting papers on ancient, medieval, and modern topics in the many disciplines relating to Celtic Studies; including literature, linguistics, art, archeology, government, economics, music, and history. Papers given at the Colloquium may be submitted for review to the organizers of the conference, who become the editors for those papers selected for publication in the Proceedings of the Harvard Celtic Colloquium. Only papers presented at the annual conference are considered for publication. Harvard University Press is proud to announce that we will distribute the Proceedings of the Harvard Celtic Colloquium. Two new issues are available this Fall: Volume 18/19 (1998 and 1999) and Volume 20/21 (2000 and 2001). Back issues are also available.

The Harvard Celtic Colloquium was established in 1980 by two graduate students in the Harvard University Department of Celtic Languages and Literatures as a forum in which graduate students could share their work and gain experience in professional academia. Since then, it has been organized annually by a team of students in the department, grown in size, and gained an international reputation which annually draws a diverse mix of scholars from around the world to present papers on all facets of Celtic Studies. The Harvard Celtic Colloquium is the only conference in the field of Celtic Studies to be wholly organized and run by graduate students. Since its inception, established and internationally-renowned scholars in Celtic as well as graduate students, junior academics, and unaffiliated scholars have been drawn to this dynamic setting, presenting papers on ancient, medieval, and modern topics in the many disciplines relating to Celtic Studies; including literature, linguistics, art, archeology, government, economics, music, and history. Papers given at the Colloquium may be submitted for review to the organizers of the conference, who become the editors for those papers selected for publication in the Proceedings of the Harvard Celtic Colloquium. Only papers presented at the annual conference are considered for publication. Harvard University Press is proud to announce that we will distribute the Proceedings of the Harvard Celtic Colloquium. Two new issues are available this Fall: Volume 18/19 (1998 and 1999) and Volume 20/21 (2000 and 2001). Back issues are also available.

Edna O'Brien and the Art of Fiction provides an urgent retrospective consideration of one of the English-speaking world's best-selling and most prolific contemporary authors. This study considers the pioneering ways O'Brien represents women's experience, family relationships, the natural world, sex, creativity, and death, and her work's long anticipation of movements such as #metoo.

The first full length study of Patrick McCabe’s work, We Won’t Make It Out Alive, examines the mental instability and carefully constructed childhoods that McCabe has crafted for his various characters—the one eyed quasi Al Pacino, the sequin studded transvestite, the bachelor farmer who routinely exhumes his dead mother for a chat. Beneath the grotesque and often very funny narratives of Irish border town life lurks startlingly similar pasts for these characters, spanning all of McCabe’s catalogue. As children, they were subject to the cruelty of the orphanage/workhouse or deadbeat parents numbed by alcohol. Many were victims of sexual abuse by priests and witnesses to the senseless violence brought on by political divides. The outrageous personalities and later actions of these characters often overshadow these very real beginnings, and in this book, Kate Walls discusses the impact of these social problems and how McCabe’s unfortunate (and usually well-meaning) narrators are driven crazy as a result. We Won’t Make It Out Alive also discusses how these characters fare against the Troubles of the 1970s and, for the novels set in more contemporary times, the changing Ireland of the Celtic Tiger. Being on the fringes of society themselves, McCabe’s characters have a unique vantage point from which to comment on these defining moments of social upheaval.

The islands of the Outer Hebrides are home to some of the most remote and spectacular scenery in the world. They host an astonishing range of mysterious structures - stone circles, beehive dwellings, holy wells and 'temples' from the Celtic era. Over a twelve-day pilgrimage, often in appalling conditions, Alastair McIntosh returns to the islands of his childhood and explores the meaning of these places. Traversing moors and mountains, struggling through torrential rivers, he walks from the most southerly tip of Harris to the northerly Butt of Lewis. The book is a walk through space and time, across a physical landscape and into a spiritual one. As he battled with his own ability to endure some of the toughest terrain in Britain, he met with the healing power of the land and its communities. This is a moving book, a powerful reflection not simply of this extraordinary place and its people met along the way, but of imaginative hope for humankind.

This volume provides a selection of primary documents from medieval England, Scotland, Ireland, and Wales, thereby enabling readers to directly access information about life long ago in the region. Voices of Medieval England, Scotland, Ireland, and Wales: Contemporary Accounts of Daily Life provides a broad selection of primary documents that are appropriate in level and content for a variety of readers. It includes dozens of primary document excerpts that illustrate important elements of daily life during the medieval period. Each document is accompanied by an introduction that supplies relevant historical background, context points to help readers evaluate the document, a description of the results and consequences of the document, and a "Further Information" section listing important print and electronic resources as well as any relevant films or television programs. Covering an important curricular topic, this book provides extensive contextual material along with guidance to help students read documents. Additionally, it serves to support Common Core State Standards by helping students develop critical thinking skills through document analysis.

An enlightening illustrated overview of Gaelic culture and history in Scotland. Words have always held great power in the Gaelic traditions of the Scottish Highlands: Bardic poems bought immortality for their subjects; satires threatened to ruin reputations and cause physical injury; clan sagas recounted family origins and struggles for power; incantations invoked blessings and curses. Even in the present, Gaels strive to counteract centuries of misrepresentation of the Highlands as a backwater of barbarism without a valid story of its own to tell. Warriors of the Word offers a broad overview of Scottish Highland culture and history, bringing together rare and previously untranslated primary texts from scattered and obscure sources. Poetry, songs, tales, and proverbs, supplemented by the accounts of insiders and travelers, illuminate traditional ways of life, exploring such topics as folklore, music, dance, literature, social organization, supernatural beliefs, human ecology, ethnic identity, and the role of language. This range of materials allows Scottish Gaeldom to be described on its own terms and to demonstrate its vitality and wealth of renewable cultural resources—making this an essential compendium for scholars, students, and all enthusiasts of Scottish culture.