Dixie Redux: Essays in Honor of Sheldon Hackney is a collection of original essays written by some of the nation’s most distinguished historians. Each of the contributors has a personal as well as a professional connection to Sheldon Hackney, a distinguished scholar in his own right who has served as Provost of Princeton University, president of Tulane University and the University of Pennsylvania, and the chairman of the National Endowment for the Humanities. In a variety of roles–teacher, mentor, colleague, administrator, writer, and friend–Sheldon Hackney has been a source of wisdom, empowerment, and wise counsel during more than four decades of historical and educational achievement. His life, both inside and outside the academy, has focused on issues closely related to civil rights, social justice, and the vagaries of race, class, regional culture, and national identity. Each of the essays in this volume touches upon one or more of these important issues–themes that have animated Sheldon Hackney’s scholarly and professional life.

Over the past century, luxury has been increasingly celebrated in the sense that it is no longer a privilege (or attitude) of the European elite or America’s leisure class. It has become more ubiquitous and now, practically everyone can experience luxury, even luxury in architecture. Focusing on various contexts within Western Europe, Latin America and the United States, this book traces the myths and application of luxury within architecture, interiors and designed landscapes. Spanning from antiquity to the modern era, it sets out six historical categories of luxury - Sybaritic, Lucullan, architectural excess, rustic, neoEuropean and modern - and relates these to the built and unbuilt environment, taking different cultural contexts and historical periods into consideration. It studies some of the ethical questions raised by the nature of luxury in architecture and discusses whether architectural luxury is an unqualified benefit or something which should only be present within strict limits. The author argues how the ideas of permissible and impermissible luxury have informed architecture and how these notions of ethical approval have changed from one context to another. Providing voluptuous settings for the nobles and the leisure class, luxury took the form of not only grand palaces, but also follies, country and suburban houses, private or public entertainment venues and ornate skyscrapers with fast lifts. The Architecture of Luxury proposes that in Western societies the growth of the leisure classes and their desire for various settings for pleasure resulted in a constantly increasing level of ’luxury’ sought within everyday architecture.

This volume, dedicated to Jaroslav Stetkevych, includes a number of original contributions that signify a rhetorical shift in the social sciences and Arabic studies. The articles and essays deal with Orientalism, classical Arabic tradition, Andalusian poetry, Francophone literature, translation, architecture and poetry, comparative studies, and Sufism. Literary production is studied in its own terms to situate these literary concerns in the mainstream of cultural studies. The outcome is a solid and highly sophisticated scholarship that makes this book one of the most needed among scholars and students of comparative literature, Arabic poetics and politics, Orientalism, Afro-Asian studies, East/West encounters and translation.