This new edition of The Woman Question brings together the most influential analyses of women's position in society to have emerged in the past decade. The discussion encompasses both theoretical issues of identity and the economic and political status of women. It demonstrates the impact of gender not only on how the social world is organized but on how we understand and interpret that world. Recognizing the diversity of women's experiences, it pays particular attention to the interactions of race, class, gender and sexuality. Leading feminists explore the concept of gender difference, its impact on women and its representation in culture. They discuss the material realities of women's lives and how these ar

A revolutionary reinterpretation of the French past, focused on contesting and defending masculine hierarchy in relations between women and men.

Highlighting Iraqi women's voices, this is an examination of women, gender and feminisms in Iraq in the wake of the 2003 US-led invasion.

This volume explores the Russia where the great writer, Fyodor Dostoevsky (1821–81), was born and lived. It focuses not only on the Russia depicted in Dostoevsky's works, but also on the Russian life that he and his contemporaries experienced: on social practices and historical developments, political and cultural institutions, religious beliefs, ideological trends, artistic conventions and literary genres. Chapters by leading scholars illuminate this broad context, offer insights into Dostoevsky's reflections on his age, and examine the expression of those reflections in his writing. Each chapter investigates a specific context and suggests how we might understand Dostoevsky in relation to it. Since Russia took so much from Western Europe throughout the imperial period, the volume also locates the Russian experience within the context of Western thought and practices, thereby offering a multidimensional view of the unfolding drama of Russia versus the West in the nineteenth century.

In this book, Mary Townsend proposes that, contrary to the current scholarship on Plato's Republic, Socrates does not in fact set out to prove the weakness of women. Rather, she argues that close attention to the drama of the Republic reveals that Plato dramatizes the reluctance of men to allow women into the public sphere and offers a deeply aporetic vision of women’s nature and political position—a vision full of concern not only for the human community, but for the desires of women themselves.