"'I think we should have done with the idea of God as Cause...It could be that the God whose death Nietzsche truthfully announced was the God of the Aristotelian-Thomistic tradition, god the prime mover,' affirms Gabriel Marcel in Problematic Man, and so illustrates that the 'Death of God' theology is neither a novel nor an exclusively Protestant phenomenon. Rather it is a human phenomenon stemming from modern man's new understanding of himself and conquest of the universe. Problematic Man antedates the American 'God is dead' fad by many years and is therefore all the more valuable in putting the latter into its larger historical and cultural context. Similarly, whereas most recent writings on this theme have been of a purely negative character, devoted more to discussing God's absense than to searching out new modes of his presence, this book seeks to define precisely the mode of experience modern man has of God. In attempting to make God once more relevant to man, Marcel first analyzes the nature of the new man who has been born of the past hundred years of conscious evolution and technological progress, and, second, sketches some of the thinkers--from every era--who have best understood or exemplified 'problematic man.' As Leslie Dewart notes in his illuminating introduction: 'Marcel's findings are expressed in passages which may be counted among the most lucid and eloquent of his distinguished philosophical career...His conclusions are highly Teilhardian. They are unquestionably relevant to the post-conciliar situation of the Church."--front and back flaps.

The idea of 'hope' has received significant attention in the political sphere recently. But is hope just wishful thinking, or can it be something more than a political catch-phrase? This book argues that hope can be understood existentially, or on the basis of what it means to be human. Under this conception of hope, given to us by Gabriel Marcel, hope is not optimism, but the creation of ways for us to flourish. War, poverty and an absolute reliance on technology are real-life evils that can suffocate hope. Marcel's thought provides a way to overcome these negative experiences. An ethics of hope can function as an alternative to isolation, dread, and anguish offered by most existentialists. This book presents Marcel's existentialism as a convincing, relevant moral theory; founded on the creation of hope, interwoven with the individual's response to the death of God. Jill Hernandez argues that today's reader of Marcel can resonate with his belief that the experience of pain can be transcended through a philosophy of hope and an escape from materialism.

"Problematic Characters: A Novel" by Friedrich Spielhagen, translated by M. Schele de Vere, presents a compelling story of complex characters navigating life's challenges and moral dilemmas. Set in a captivating narrative, the novel delves into the intricacies of human behavior and relationships, exploring the emotional depths of its protagonists. Spielhagen's work offers a profound reflection on human nature and the choices individuals face throughout their lives.

This book provides a critical and decolonial analysis of gender and development theory and practice in religious societies through the presentation of a detailed ethnographic study of conjugal violence in Ethiopia. Responding to recent consensus that gender mainstreaming approaches have failed to produce their intended structural changes, Romina Istratii explains that gender and development analytical and theoretical frameworks are often constructed through western Euro-centric lenses ill-equipped to understand gender-related realities and human behaviour in non-western religious contexts and knowledge systems. Instead, Istratii argues for an approach to gender-sensitive research and practice which is embedded in insiders’ conceptual understandings as a basis to theorise about gender, assess the possible gendered underpinnings of local issues and design appropriate alleviation strategies. Drawing on a detailed study of conjugal abuse realities and attitudes in two villages and the city of Aksum in Northern Ethiopia, she demonstrates how religious knowledge can be engaged in the design and implementation of remedial interventions. This book carefully evidences the importance of integrating religious traditions and spirituality in current discussions of sustainable development in Africa, and speaks to researchers and practitioners of gender, religion and development in Africa, scholars of non-western Christianities and Ethiopian studies, and domestic violence researchers and practitioners.

"Poetic, insightful, and deeply moving. David Means is one of my very favorite writers." —Tara Westover, author of Educated Following the publication of his widely acclaimed, Man Booker-nominated novel Hystopia, David Means here returns to his signature form: the short story. Thanks to his four previous story collections, Means has won himself an international reputation as one of the most innovative short fiction writers working today: an “established master of the form.” (Laura Miller, The Guardian). Instructions for a Funeral—featuring work from The New Yorker, Harper’s, The Paris Review, and VICE—finds Means branching out beyond the explorations of violence and trauma with which he is often identified, prominently displaying his sly humor and his inimitable way of telling tales that deliciously wind up to punch the reader in the heart. With each story Means pushes into new territory, writing with tenderness and compassion about fatherhood, marriage, a homeless brother, the nature of addiction, and the death of a friend at the hands of a serial-killer nurse. Means transmutes a fistfight in Sacramento into a tender, life-long love story; two FBI agents on a stakeout in the 1920s into a tale of predator and prey, paternal urges and loss; a man’s funeral instructions into a chronicle of organized crime, real estate ventures, and the destructive force of paranoia. Means’s work has earned him comparisons to Flannery O’Connor, Alice Munro, Sherwood Anderson, Denis Johnson, Edgar Allan Poe, Anton Chekhov, and Raymond Carver but his place in the American literary landscape is fully and originally his own. "David Means is a master of tense, distilled, quintessentially American prose. Like any artist who has finely honed his talent to its strongest expression he is a brilliant craftsman whose achievement is to appear unstudied, even casual . . . Each story by Means which I have read is unlike the others, unexpected and an unnerving delight." —Joyce Carol Oates

Eminent critic Richard Gilman examines each of Chekhov's full-length plays, showing how they relate to each other, to Chekhov's short stories, and to his life. Gilman places the plays in the context of Russian and European drama and the larger culture of the period, and the reasons behind the enduring power of these classic works.