THE FIRST ALAN GREGORY THRILLER! A successful psychologist in Boulder, Colorado, Alan Gregory has a bright future -- until police find one of his female patients dead. In her apartment, they discover a diary describing her sexual obsession with Gregory and his willing involvement. Obligated to keep his patient records confidential -- even from the police -- Alan faces disgrace and ruin unless he reveals what he knows about her fantasies and his own innocence. But when more of his patients die and Alan becomes the prime suspect, he is desperate to clear his name. Unable to turn to anyone for help, he begins the painful search for the explanation on his own -- and soon discovers the terrible truth. Now, only he knows how to stop the killing...if he doesn't wind up dead himself.

A fusion of criticism and biography, this text offers new insight into the life and work of one of America's pre-eminent living artists.

The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.

A courtroom drama, this time starring Paul Morganstein, partner of Conflict of Interest's Ted Stevens. Morganstein has reluctantly taken on the defense of a long-time family acquaintance for a murder charge. As he investigates the case he uncovers details that make him suspect a connection to the suspicious death of his brother years before. Can he defend someone who may have murdered his own brother?

An NPR Favorite Book of the Year “Breaks new ground on social and educational questions of great import.” —Washington Post “An essential work, humane and candid, that challenges and expands our understanding of the lives of contemporary college students.” —Paul Tough, author of Helping Children Succeed “Eye-opening...Brings home the pain and reality of on-campus poverty and puts the blame squarely on elite institutions.” —Washington Post “Jack’s investigation redirects attention from the matter of access to the matter of inclusion...His book challenges universities to support the diversity they indulge in advertising.” —New Yorker The Ivy League looks different than it used to. College presidents and deans of admission have opened their doors—and their coffers—to support a more diverse student body. But is it enough just to admit these students? In this bracing exposé, Anthony Jack shows that many students’ struggles continue long after they’ve settled in their dorms. Admission, they quickly learn, is not the same as acceptance. This powerfully argued book documents how university policies and campus culture can exacerbate preexisting inequalities and reveals why some students are harder hit than others.

Many professional theater artists attempt to use live performances in formal theater spaces to disrupt racism and create a more equitable society. Privileged Spectatorship: Theatrical Interventions in White Supremacy examines the impact of such projects, looking at how and why they do and do not intervene in white supremacy. In this incisive study, Dani Snyder-Young examines audience responses to a range of theatrical events that focus on race‐related conflict or racial identity in the contemporary United States. The audiences for these performances, produced at mainstream not‐for‐profit professional theaters in major American cities in 2013–18, reflect dominant patterns of theater attendance: the majority of spectators are older, affluent, white, and describe themselves as politically progressive. Snyder-Young studies the ways these audience members consume the stories of racialized others and analyzes how different artistic, organizational, and programmatic strategies can (or cannot) mitigate white privilege. This book is essential reading for scholars and students of theater, performance studies, and critical ethnic studies and for theater practitioners interested in equity and inclusion.